Uarda : a Romance of Ancient Egypt — Complete eBook

Georg Ebers
This eBook from the Gutenberg Project consists of approximately 551 pages of information about Uarda .

The great doors of the pylon were wide open, and afforded a view into the forecourt of the sanctuary, paved with polished squares of stone, and surrounded on three sides with colonnades.  The walls and architraves, the pillars and the fluted cornice, which slightly curved in over the court, were gorgeous with many colored figures and painted decorations.  In the middle stood a great sacrificial altar, on which burned logs of cedar wood, whilst fragrant balls of Kyphi

[Kyphi was a celebrated Egyptian incense.  Recipes for its preparation have been preserved in the papyrus of Ebers, in the laboratories of the temples, and elsewhere.  Parthey had three different varieties prepared by the chemist, L. Voigt, in Berlin.  Kyphi after the formula of Dioskorides was the best.  It consisted of rosin, wine, rad, galangae, juniper berries, the root of the aromatic rush, asphalte, mastic, myrrh, Burgundy grapes, and honey.]

were consumed by the flames, filling the wide space with their heavy perfume.  Around, in semi-circular array, stood more than a hundred white-robed priests, who all turned to face the approaching princess, and sang heart-rending songs of lamentation.

Many of the inhabitants of the Necropolis had collected on either side of the lines of sphinxes, between which the princess drove up to the Sanctuary.  But none asked what these songs of lamentation might signify, for about this sacred place lamentation and mystery for ever lingered.  “Hail to the child of Rameses!”—­“All hail to the daughter of the Sun!” rang from a thousand throats; and the assembled multitude bowed almost to the earth at the approach of the royal maiden.

At the pylon, the princess descended from her chariot, and preceded by the chief of the haruspices, who had gravely and silently greeted her, passed on to the door of the temple.  But as she prepared to cross the forecourt, suddenly, without warning, the priests’ chant swelled to a terrible, almost thundering loudness, the clear, shrill voice of the Temple scholars rising in passionate lament, supported by the deep and threatening roll of the basses.

Bent-Anat started and checked her steps.  Then she walked on again.

But on the threshold of the door, Ameni, in full pontifical robes, stood before her in the way, his crozier extended as though to forbid her entrance.

“The advent of the daughter of Rameses in her purity,” he cried in loud and passionate tones, “augurs blessing to this sanctuary; but this abode of the Gods closes its portals on the unclean, be they slaves or princes.  In the name of the Immortals, from whom thou art descended, I ask thee, Bent-Anat, art thou clean, or hast thou, through the touch of the unclean, defiled thyself and contaminated thy royal hand?”

Copyrights
Project Gutenberg
Uarda : a Romance of Ancient Egypt — Complete from Project Gutenberg. Public domain.
Follow Us on Facebook