But short experience does so too. We early learn
to be content with screws, and to make the best of
imperfect means. As I have been writing that
last paragraph, I have been listening to a colloquy
outside my study door, which is partly open. The
parties engaged in the discussion were a certain little
girl of five years old, and her nurse. The little
girl is going out to spend the day at the house of
a little companion; and she is going to take her doll
with her. I heard various sentences not quite
distinctly, which conveyed to me a general impression
of perplexity; and at length, in a cheerful, decided
voice, the little girl said, ’The people will
never know it has got no legs!’ The doll, you
see, was unsound. Accidents had brought it to
an imperfect state. But that wise little girl
had done what you and I, my reader, must try to do
very frequently: she had made up her mind to
make the best of a screw.
I learn a lesson, as I close my essay, from the old
woman of eighty, and the little girl of five.
Let us seek to reconcile our minds both to possessing
screws, and (harder still) to being screws. Let
us make the best of our imperfect possessions, and
of our imperfect selves. Let us remember that
a great deal of good can be done by means which fall
very far short of perfection; that our moderate abilities,
honestly and wisely husbanded and directed, may serve
valuable ends in this world before we quit it,—ends
which may remain after we are gone. I do not
suppose that judicious critics, in pointing out an
author’s faults, mean that he ought to stop
writing altogether. There are hopeless cases in
which he certainly ought: cases in which the
steed passes being a screw, and is fit only for the
hounds. But in most instances the critic would
be quite wrong, if he argued what because his author
has many flaws and defects, he should write no more.
With all its errors, what he writes may be much better
than nothing; as the serviceable screw is better than
no horse at all. And if the critic’s purpose
is merely to show the author that the author is a
screw,—why, if the author have any sense
at all, he knows that already. He does not claim
to be wiser than other men; and still less to be better:
yet he may try to do his best. With many defects
and errors, still fair work may be turned off.
I will not forget the lame horses that took the coach
so well to Inverary. And I remember certain words
in which one who is all but the greatest English poet
declared that under the heavy visitation of God he
would do his utmost still. Here is the resolution
of a noble screw:—
I
argue not
Against Heaven’s hand
or will, nor bate a jot
Of heart or hope; but still
bear up and steer
Right onward!
CHAPTER VII.
Concerningsolitarydays.
Copyrights
The Recreations of a Country Parson from Project Gutenberg. Public domain.