“Judy, have Marse Chan’s dawg got home?”

“Posson Jone”

BY GEORGE W. CABLE

Bliss Perry mentions this story as one that presents “people and events and circumstances, blended into an artistic whole that defies analysis.”  It illustrates dramatic incident, local color, and complex character analysis.

“Posson Jone’”

[Footnote:  From “Old Creole Days,” by George W. Cable.  Copyright, 1890, by Charles Scribner’s Sons.]

To Jules St.-Ange—­elegant little heathen—­there yet remained at manhood a remembrance of having been to school, and of having been taught by a stony-headed Capuchin that the world is round—­for example, like a cheese.  This round world is a cheese to be eaten through, and Jules had nibbled quite into his cheese-world already at twenty-two.

He realized this as he idled about one Sunday morning where the intersection of Royal and Conti streets some seventy years ago formed a central corner of New Orleans.  Yes, yes, the trouble was he had been wasteful and honest.  He discussed the matter with that faithful friend and confidant, Baptiste, his yellow body-servant.  They concluded that, papa’s patience and tante’s pin money having been gnawed away quite to the rind, there were left open only these few easily enumerated resorts:  to go to work—­they shuddered; to join Major Innerarity’s filibustering expedition; or else—­why not?—­to try some games of confidence.  At twenty-two one must begin to be something.  Nothing else tempted; could that avail?  One could but try.  It is noble to try; and, besides, they were hungry.  If one could “make the friendship” of some person from the country, for instance, with money, not expert at cards or dice, but, as one would say, willing to learn, one might find cause to say some “Hail Marys.”

The sun broke through a clearing sky, and Baptiste pronounced it good for luck.  There had been a hurricane in the night.  The weed-grown tile-roofs were still dripping, and from lofty brick and low adobe walls a rising steam responded to the summer sunlight.  Upstreet, and across the Rue du Canal, one could get glimpses of the gardens in Faubourg Ste.-Marie standing in silent wretchedness, so many tearful Lucretias, tattered victims of the storm.  Short remnants of the wind now and then came down the narrow street in erratic puffs heavily laden with odors of broken boughs and torn flowers, skimmed the little pools of rain-water in the deep ruts of the unpaved street, and suddenly went away to nothing, like a juggler’s butterflies or a young man’s money.

It was very picturesque, the Rue Royale.  The rich and poor met together.  The locksmith’s swinging key creaked next door to the bank; across the way, crouching, mendicant-like, in the shadow of a great importing-house, was the mud laboratory of the mender of broken combs.  Light balconies overhung the rows of showy shops and stores open for trade this Sunday morning, and pretty Latin faces of the higher class glanced over their savagely pronged railings upon the passers below.  At some windows hung lace curtains, flannel duds at some, and at others only the scraping and sighing one-hinged shutter groaning toward Paris after its neglectful master.