Having again retired towards the hollow, they remained there for a few minutes, and then advanced for the third time.  On this occasion, however, instead of the image or standards, they all carried their spears.  After dancing with these for some time, they went forward towards the Moorunde natives, who sprang upon their feet, and seizing their weapons, speared two or three of the strangers in the shoulder, and all was over.  I was anxious to have got hold of the rude figure to have a drawing made of it, but it had been instantly destroyed.  The standards I procured.

This dance took place between nine and ten in the morning, and was quite unlike any thing I had seen before.  A stranger might have supposed it to be a religious ceremony, and the image the object of worship.  Such, however, I am convinced was not the case, although I believe it to have had some connection with their superstitions, and that it was regarded in the light of a charm.

Before the country was occupied by Europeans, the natives say that this dance was frequently celebrated, but that latterly it has not been much in use.  No other instance of it ever came under my own observation in any part of New Holland.

The songs of the natives are of a very rude and unmeaning character, rarely consisting of more than one or two ideas, which are continually repeated over and over again.  They are chiefly made on the spur of the moment, and refer to something that has struck the attention at the time.  The measure of the song varies according to circumstances.  It is gay and lively, for the dance; slow and solemn for the enchanter; and wild and pathetic for the mourner.  The music is sometimes not unharmonious; and when heard in the stillness of the night and mellowed by distance, is often soothing and pleasing.  I have frequently laid awake, after retiring to rest, to listen to it.  Europeans, their property, presence, and habits, are frequently the subject of these songs; and as the natives possess great powers of mimicry, and are acute in the observation of anything that appears to them absurd or ludicrous, the white man often becomes the object of their jests or quizzing.  I have heard songs of this kind sung at the dances in a kind of comic medley, where different speakers take up parts during the breaks in the song, and where a sentence or two of English is aptly introduced, or a quotation made from some native dialect, other than that of the performers.  It is usually conducted in the form of question and answer, and the respective speakers use the language of the persons they are supposed to represent.  The chorus is, however, still the same repetition of one or two words.

The following specimens, taken from a vocabulary published by Messrs. Teichelmann, and Schurmann, German Missionaries to the Aborigines, will give an idea of the nature of the songs of the Adelaide tribe.

KADLITPIKO PALTI.  Pindi mai birkibirki parrato, parrato. (DE CAPO BIS.)