The Ball and the Cross eBook

This eBook from the Gutenberg Project consists of approximately 295 pages of information about The Ball and the Cross.

Plain and positive as he was, the influence of earth and sky may have been greater on him than he imagined; and the weather that walked the world at that moment was as red and angry as Turnbull.  Long strips and swirls of tattered and tawny cloud were dragged downward to the west exactly as torn red raiment would be dragged.  And so strong and pitiless was the wind that it whipped away fragments of red-flowering bushes or of copper beech, and drove them also across the garden, a drift of red leaves, like the leaves of autumn, as in parody of the red and driven rags of cloud.

There was a sense in earth and heaven as of everything breaking up, and all the revolutionist in Turnbull rejoiced that it was breaking up.  The trees were breaking up under the wind, even in the tall strength of their bloom:  the clouds were breaking up and losing even their large heraldic shapes.  Shards and shreds of copper cloud split off continually and floated by themselves, and for some reason the truculent eye of Turnbull was attracted to one of these careering cloudlets, which seemed to him to career in an exaggerated manner.  Also it kept its shape, which is unusual with clouds shaken off; also its shape was of an odd sort.

Turnbull continued to stare at it, and in a little time occurred that crucial instant when a thing, however incredible, is accepted as a fact.  The copper cloud was tumbling down towards the earth, like some gigantic leaf from the copper beeches.  And as it came nearer it was evident, first, that it was not a cloud, and, second, that it was not itself of the colour of copper; only, being burnished like a mirror, it had reflected the red-brown colours of the burning clouds.  As the thing whirled like a windswept leaf down towards the wall of the garden it was clear that it was some sort of air-ship made of metal, and slapping the air with big broad fins of steel.  When it came about a hundred feet above the garden, a shaggy, lean figure leapt up in it, almost black against the bronze and scarlet of the west, and, flinging out a kind of hook or anchor, caught on to the green apple-tree just under the wall; and from that fixed holding ground the ship swung in the red tempest like a captive balloon.

While our friend stood frozen for an instant by his astonishment, the queer figure in the airy car tipped the vehicle almost upside down by leaping over the side of it, seemed to slide or drop down the rope like a monkey, and alighted (with impossible precision and placidity) seated on the edge of the wall, over which he kicked and dangled his legs as he grinned at Turnbull.  The wind roared in the trees yet more ruinous and desolate, the red tails of the sunset were dragged downward like red dragons sucked down to death, and still on the top of the asylum wall sat the sinister figure with the grimace, swinging his feet in tune with the tempest; while above him, at the end of its tossing or tightened cord, the enormous iron air-ship floated as light and as little noticed as a baby’s balloon upon its string.

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The Ball and the Cross from Project Gutenberg. Public domain.
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