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| Start of eBook | 1 |
| EARLY POEMS [1814, 1815]: | 1 |
| FEELINGS OF A REPUBLICAN ON THE FALL OF BONAPARTE | 1 |
| EARLY POEMS [1814, 1815]. | 5 |
| STANZA, WRITTEN AT BRACKNELL. | 5 |
| STANZAS.—APRIL, 1814. | 6 |
| TO HARRIET. | 6 |
| TO MARY WOLLSTONECRAFT GODWIN. | 7 |
| MUTABILITY. | 8 |
| ON DEATH. | 8 |
| A SUMMER EVENING CHURCHYARD. | 9 |
| TO —. | 9 |
| TO WORDSWORTH. | 10 |
| FEELINGS OF A REPUBLICAN ON THE FALL OF BONAPARTE. | 10 |
| LINES. | 11 |
| NOTE ON THE EARLY POEMS, BY MRS. SHELLEY. | 11 |
| POEMS WRITTEN IN 1816. | 12 |
| HYMN TO INTELLECTUAL BEAUTY. | 13 |
| MONT BLANC. | 15 |
| CANCELLED PASSAGE OF MONT BLANC. | 18 |
| FRAGMENT: HOME. | 18 |
| FRAGMENT OF A GHOST STORY. | 18 |
| NOTE ON POEMS OF 1816, BY MRS. SHELLEY. | 18 |
| POEMS WRITTEN IN 1817. | 19 |
| TO CONSTANTIA, SINGING. | 22 |
| STANZAS 1 AND 2. | 23 |
| FRAGMENT: TO ONE SINGING. | 24 |
| A FRAGMENT: TO MUSIC. | 24 |
| ANOTHER FRAGMENT: TO MUSIC. | 24 |
| TO THE LORD CHANCELLOR. | 24 |
| TO WILLIAM SHELLEY. | 26 |
| FROM THE ORIGINAL DRAFT OF THE POEM TO WILLIAM SHELLEY. | 27 |
| ON FANNY GODWIN. | 27 |
| LINES. | 28 |
| DEATH. | 28 |
| OTHO. | 28 |
| FRAGMENTS SUPPOSED TO BE PARTS OF OTHO. | 29 |
| FRAGMENT: TO A FRIEND RELEASED FROM PRISON. | 29 |
| FRAGMENT: SATAN BROKEN LOOSE. | 29 |
| FRAGMENT: “IGNICULUS DESIDERII”. | 30 |
| FRAGMENT: “AMOR AETERNUS”. | 30 |
| FRAGMENT: THOUGHTS COME AND GO IN SOLITUDE. | 30 |
| A HATE-SONG. | 30 |
| LINES TO A CRITIC. | 30 |
| OZYMANDIAS. | 31 |
| NOTE ON POEMS OF 1817, BY MRS. SHELLEY. | 31 |
| POEMS WRITTEN IN 1818. | 33 |
| PASSAGE OF THE APENNINES. | 33 |
| THE PAST. | 34 |
| TO MARY —. | 34 |
| ON A FADED VIOLET. | 34 |
| LINES WRITTEN AMONG THE EUGANEAN HILLS. | 34 |
| SCENE FROM ‘TASSO’. | 40 |
| SONG FOR ‘TASSO’. | 41 |
| INVOCATION TO MISERY. | 41 |
| STANZAS WRITTEN IN DEJECTION, NEAR NAPLES. | 43 |
| THE WOODMAN AND THE NIGHTINGALE. | 44 |
| SONNET. | 49 |
| FRAGMENT: TO BYRON. | 49 |
| FRAGMENT: APOSTROPHE TO SILENCE. | 49 |
| FRAGMENT: THE LAKE’S MARGIN. | 50 |
| FRAGMENT: ‘MY HEAD IS WILD WITH WEEPING’. | 50 |
| FRAGMENT: THE VINE-SHROUD. | 50 |
| NOTE ON POEMS OF 1818, BY MRS. SHELLEY. | 50 |
| POEMS WRITTEN IN 1819. | 51 |
| SONG TO THE MEN OF ENGLAND. | 52 |
| SIMILES FOR TWO POLITICAL CHARACTERS OF 1819. | 53 |
| FRAGMENT: TO THE PEOPLE OF ENGLAND. | 53 |
| 53 |
| A NEW NATIONAL ANTHEM. | 54 |
| SONNET: ENGLAND IN 1819. | 54 |
| 54 |
| CANCELLED STANZA. | 55 |
| ODE TO HEAVEN. | 55 |
| CANCELLED FRAGMENTS OF THE ODE TO HEAVEN. | 56 |
| ODE TO THE WEST WIND. | 56 |
| AN EXHORTATION. | 58 |
| THE INDIAN SERENADE. | 58 |
| CANCELLED PASSAGE. | 59 |
| TO SOPHIA [MISS STACEY]. | 59 |
| TO WILLIAM SHELLEY. | 60 |
| TO WILLIAM SHELLEY. | 60 |
| TO MARY SHELLEY. | 60 |
| TO MARY SHELLEY. | 60 |
| ON THE MEDUSA OF LEONARDO DA VINCI IN THE FLORENTINE GALLERY. | 61 |
| LOVE’S PHILOSOPHY. | 61 |
| FRAGMENT: ‘FOLLOW TO THE DEEP WOOD’S WEEDS’. | 62 |
| THE BIRTH OF PLEASURE. | 62 |
| FRAGMENT: LOVE THE UNIVERSE TO-DAY. | 62 |
| FRAGMENT: ‘A GENTLE STORY OF TWO LOVERS YOUNG’. | 62 |
| FRAGMENT: LOVE’S TENDER ATMOSPHERE. | 63 |
| FRAGMENT: WEDDED SOULS. | 63 |
| FRAGMENT: ‘IS IT THAT IN SOME BRIGHTER SPHERE’. | 63 |
| FRAGMENT: SUFFICIENT UNTO THE DAY. | 63 |
| FRAGMENT: ‘YE GENTLE VISITATIONS OF CALM THOUGHT’. | 63 |
| FRAGMENT: MUSIC AND SWEET POETRY. | 64 |
| FRAGMENT: THE SEPULCHRE OF MEMORY. | 64 |
| FRAGMENT: ‘WHEN A LOVER CLASPS HIS FAIREST’. | 64 |
| FRAGMENT: ‘WAKE THE SERPENT NOT’. | 64 |
| FRAGMENT: RAIN. | 64 |
| FRAGMENT: A TALE UNTOLD. | 64 |
| FRAGMENT: TO ITALY. | 64 |
| FRAGMENT: WINE OF THE FAIRIES. | 65 |
| FRAGMENT: A ROMAN’S CHAMBER. | 65 |
| FRAGMENT: ROME AND NATURE. | 65 |
| VARIATION OF THE SONG OF THE MOON. | 65 |
| CANCELLED STANZA OF THE MASK OF ANARCHY. | 65 |
| NOTE ON POEMS OF 1819, BY MRS. SHELLEY. | 65 |
| POEMS WRITTEN IN 1820. | 66 |
| PART 1. | 66 |
| PART 2. | 68 |
| PART 3. | 69 |
| CANCELLED PASSAGE. | 72 |
| A VISION OF THE SEA. | 72 |
| THE CLOUD. | 76 |
| TO A SKYLARK. | 77 |
| ODE TO LIBERTY. | 79 |
| CANCELLED PASSAGE OF THE ODE TO LIBERTY. | 84 |
| TO —. | 84 |
| ARETHUSA. | 84 |
| SONG OF PROSERPINE WHILE GATHERING FLOWERS ON THE PLAIN OF ENNA. | 86 |
| HYMN OF APOLLO. | 86 |
| HYMN OF PAN. | 87 |
| THE QUESTION. | 87 |
| THE TWO SPIRITS: AN ALLEGORY. | 88 |
| ODE TO NAPLES. | 89 |
| AUTUMN: A DIRGE. | 93 |
| THE WANING MOON. | 93 |
| TO THE MOON. | 93 |
| DEATH. | 93 |
| LIBERTY. | 94 |
| SUMMER AND WINTER. | 94 |
| THE TOWER OF FAMINE. | 94 |
| AN ALLEGORY. | 95 |
| THE WORLD’S WANDERERS. | 95 |
| SONNET. | 96 |
| LINES TO A REVIEWER. | 96 |
| FRAGMENT OF A SATIRE ON SATIRE. | 96 |
| GOOD-NIGHT. | 97 |
| BUONA NOTTE. | 98 |
| ORPHEUS. | 98 |
| FIORDISPINA. | 100 |
| TIME LONG PAST. | 102 |
| FRAGMENT: THE DESERTS OF DIM SLEEP. | 102 |
| FRAGMENT: ‘THE VIEWLESS AND INVISIBLE CONSEQUENCE’. | 102 |
| FRAGMENT: A SERPENT-FACE. | 103 |
| FRAGMENT: DEATH IN LIFE. | 103 |
| FRAGMENT: ‘SUCH HOPE, AS IS THE SICK DESPAIR OF GOOD’. | 103 |
| FRAGMENT: ‘ALAS! THIS IS NOT WHAT I THOUGHT LIFE WAS’. | 103 |
| FRAGMENT: MILTON’S SPIRIT. | 103 |
| FRAGMENT: ‘UNRISEN SPLENDOUR OF THE BRIGHTEST SUN’. | 103 |
| FRAGMENT: PATER OMNIPOTENS. | 104 |
| FRAGMENT: TO THE MIND OF MAN. | 104 |
| NOTE ON POEMS OF 1820, BY MRS. SHELLEY. | 104 |
| POEMS WRITTEN IN 1821. | 106 |
| TO NIGHT. | 106 |
| TIME. | 107 |
| LINES. | 107 |
| FROM THE ARABIC: AN IMITATION. | 107 |
| TO EMILIA VIVIANI. | 107 |
| THE FUGITIVES. | 108 |
| TO —. | 109 |
| SONG. | 109 |
| MUTABILITY. | 110 |
| LINES WRITTEN ON HEARING THE NEWS OF THE DEATH OF NAPOLEON. | 110 |
| SONNET: POLITICAL GREATNESS. | 111 |
| THE AZIOLA. | 111 |
| A LAMENT. | 111 |
| REMEMBRANCE. | 112 |
| TO EDWARD WILLIAMS. | 112 |
| TO —. | 113 |
| TO —. | 114 |
| A BRIDAL SONG. | 114 |
| EPITHALAMIUM. | 114 |
| ANOTHER VERSION OF THE SAME. | 115 |
| LOVE, HOPE, DESIRE, AND FEAR. | 115 |
| FRAGMENTS WRITTEN FOR HELLAS. | 116 |
| FRAGMENT: ‘I WOULD NOT BE A KING’. | 117 |
| GINEVRA. | 117 |
| EVENING: PONTE AL MARE, PISA | 121 |
| THE BOAT ON THE SERCHIO. | 122 |
| MUSIC. | 124 |
| SONNET TO BYRON. | 125 |
| FRAGMENT: ‘METHOUGHT I WAS A BILLOW IN THE CROWD’. | 125 |
| TO-MORROW. | 125 |
| STANZA. | 126 |
| FRAGMENT: A WANDERER. | 126 |
| FRAGMENT: LIFE ROUNDED WITH SLEEP. | 126 |
| FRAGMENT: ‘I FAINT, I PERISH WITH MY LOVE!’. | 126 |
| FRAGMENT: THE LADY OF THE SOUTH. | 126 |
| FRAGMENT: ZEPHYRUS THE AWAKENER. | 126 |
| FRAGMENT: RAIN. | 126 |
| FRAGMENT: ‘WHEN SOFT WINDS AND SUNNY SKIES’. | 126 |
| FRAGMENT: ‘AND THAT I WALK THUS PROUDLY CROWNED’. | 127 |
| FRAGMENT: ‘THE RUDE WIND IS SINGING’. | 127 |
| FRAGMENT: ‘GREAT SPIRIT’. | 127 |
| FRAGMENT: ‘O THOU IMMORTAL DEITY’. | 127 |
| FRAGMENT: THE FALSE LAUREL AND THE TRUE. | 127 |
| FRAGMENT: MAY THE LIMNER. | 127 |
| FRAGMENT: BEAUTY’S HALO. | 128 |
| FRAGMENT: ‘THE DEATH KNELL IS RINGING’. | 128 |
| FRAGMENT: ‘I STOOD UPON A HEAVEN-CLEAVING TURRET’. | 128 |
| NOTE ON POEMS OF 1821, BY MRS. SHELLEY. | 128 |
| POEMS WRITTEN IN 1822. | 131 |
| THE MAGNETIC LADY TO HER PATIENT. | 132 |
| LINES: ‘WHEN THE LAMP IS SHATTERED’. | 133 |
| TO JANE: THE INVITATION. | 134 |
| TO JANE: THE RECOLLECTION. | 135 |
| THE PINE FOREST OF THE CASCINE NEAR PISA. | 136 |
| WITH A GUITAR, TO JANE. | 138 |
| TO JANE: ‘THE KEEN STARS WERE TWINKLING’. | 140 |
| A DIRGE. | 141 |
| LINES WRITTEN IN THE BAY OF LERICI. | 141 |
| LINES: ‘WE MEET NOT AS WE PARTED’. | 142 |
| THE ISLE. | 142 |
| FRAGMENT: TO THE MOON. | 142 |
| EPITAPH. | 142 |
| NOTE ON POEMS OF 1822, BY MRS. SHELLEY. | 142 |
