Edinburgh Picturesque Notes eBook

This eBook from the Gutenberg Project consists of approximately 66 pages of information about Edinburgh Picturesque Notes.

CHAPTER VII.  THE VILLA QUARTERS.

Mr. Ruskin’s denunciation of the New Town of Edinburgh includes, as I have heard it repeated, nearly all the stone and lime we have to show.  Many however find a grand air and something settled and imposing in the better parts; and upon many, as I have said, the confusion of styles induces an agreeable stimulation of the mind.  But upon the subject of our recent villa architecture, I am frankly ready to mingle my tears with Mr. Ruskin’s, and it is a subject which makes one envious of his large declamatory and controversial eloquence.

Day by day, one new villa, one new object of offence, is added to another; all around Newington and Morningside, the dismallest structures keep springing up like mushrooms; the pleasant hills are loaded with them, each impudently squatted in its garden, each roofed and carrying chimneys like a house.  And yet a glance of an eye discovers their true character.  They are not houses; for they were not designed with a view to human habitation, and the internal arrangements are, as they tell me, fantastically unsuited to the needs of man.  They are not buildings; for you can scarcely say a thing is built where every measurement is in clamant disproportion with its neighbour.  They belong to no style of art, only to a form of business much to be regretted.

Why should it be cheaper to erect a structure where the size of the windows bears no rational relation to the size of the front?  Is there any profit in a misplaced chimney-stalk?  Does a hard-working, greedy builder gain more on a monstrosity than on a decent cottage of equal plainness?  Frankly, we should say, No.  Bricks may be omitted, and green timber employed, in the construction of even a very elegant design; and there is no reason why a chimney should be made to vent, because it is so situated as to look comely from without.  On the other hand, there is a noble way of being ugly:  a high-aspiring fiasco like the fall of Lucifer.  There are daring and gaudy buildings that manage to be offensive, without being contemptible; and we know that ’fools rush in where angels fear to tread.’  But to aim at making a common-place villa, and to make it insufferably ugly in each particular; to attempt the homeliest achievement, and to attain the bottom of derided failure; not to have any theory but profit and yet, at an equal expense, to outstrip all competitors in the art of conceiving and rendering permanent deformity; and to do all this in what is, by nature, one of the most agreeable neighbourhoods in Britain:- what are we to say, but that this also is a distinction, hard to earn although not greatly worshipful?

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Edinburgh Picturesque Notes from Project Gutenberg. Public domain.
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