“I believe it is,” replied Wilton: “I saw it accidentally at an auction, and bought it for a mere trifle.”
“You have the eye of a judge,” replied his companion.
“Do not be long ere you join me;” and looking at every little object of ornament or luxury that the room contained, standing a minute or two before another picture, taking up, and examining all over, a small bronze urn, that stood on one of the tables, and criticising the hilts of two or three of Wilton’s swords, that stood in the corner of the room, he made his way out, like Hamlet, “without his eyes,” and left his new acquaintance to read his letter in peace.
In that letter, which was in every respect most kind, Wilton found that the Earl gave a detailed account of the character of the young nobleman who had just left him. He represented him, very much as he had represented himself, full of follies, and, unfortunately, but too much addicted to let those follies run into vices. “Though he neither gambled nor drank for pleasure,” the Earl said, “yet, as if for variety, he would sometimes do both to excess. In other respects, he had lived a life of great profligacy, seeming utterly careless of the reproaches of any one, and rather taking means to make any fresh act of licence generally known, than to conceal it. Nor is this,” continued the Earl, “from that worst of all vanities, which attaches fame to what is infamous, and confounds notoriety with renown, but rather from a sort of daringness of disposition, which prompts him to avow openly any act to which there may be risk attached. With all these bad qualities,” the Earl proceeded, “there are many good ones. To be bold as a lion is but a corporeal endowment, but he adds to that the most perfect sincerity and frankness.