Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.
Related Topics

Hopes and Fears for Art eBook

This eBook from the Gutenberg Project consists of approximately 200 pages of information about Hopes and Fears for Art.

For the rest I believe that, however seriously these words may be gainsayed, I have been speaking to an audience in whom any words spoken from a sense of duty and in hearty goodwill, as mine have been, will quicken thought and sow some good seed.  At any rate, it is good for a man who thinks seriously to face his fellows, and speak out whatever really burns in him, so that men may seem less strange to one another, and misunderstanding, the fruitful cause of aimless strife, may be avoided.

But if to any of you I have seemed to speak hopelessly, my words have been lacking in art; and you must remember that hopelessness would have locked my mouth, not opened it.  I am, indeed, hopeful, but can I give a date to the accomplishment of my hope, and say that it will happen in my life or yours?

But I will say at least, Courage! for things wonderful, unhoped-for, glorious, have happened even in this short while I have been alive.

Yes, surely these times are wonderful and fruitful of change, which, as it wears and gathers new life even in its wearing, will one day bring better things for the toiling days of men, who, with freer hearts and clearer eyes, will once more gain the sense of outward beauty, and rejoice in it.

Meanwhile, if these hours be dark, as, indeed, in many ways they are, at least do not let us sit deedless, like fools and fine gentlemen, thinking the common toil not good enough for us, and beaten by the muddle; but rather let us work like good fellows trying by some dim candle-light to set our workshop ready against to-morrow’s daylight—­that to-morrow, when the civilised world, no longer greedy, strifeful, and destructive, shall have a new art, a glorious art, made by the people and for the people, as a happiness to the maker and the user.

THE BEAUTY OF LIFE {5}

’—­propter vitam vivendi perdere causas.’—­Juvenal.

I stand before you this evening weighted with a disadvantage that I did not feel last year;—­I have little fresh to tell you; I can somewhat enlarge on what I said then; here and there I may make bold to give you a practical suggestion, or I may put what I have to say in a way which will be clearer to some of you perhaps; but my message is really the same as it was when I first had the pleasure of meeting you.

It is true that if all were going smoothly with art, or at all events so smoothly that there were but a few malcontents in the world, you might listen with some pleasure, and perhaps advantage, to the talk of an old hand in the craft concerning ways of work, the snares that beset success, and the shortest road to it, to a tale of workshop receipts and the like:  that would be a pleasant talk surely between friends and fellow-workmen; but it seems to me as if it were not for us as yet; nay, maybe we may live long and find no time fit for such restful talk as the cheerful histories of the hopes and fears of our workshops:  anyhow to-night I cannot do it, but must once again call the faithful of art to a battle wider and more distracting than that kindly struggle with nature, to which all true craftsmen are born; which is both the building-up and the wearing-away of their lives.

Copyrights
Project Gutenberg
Hopes and Fears for Art from Project Gutenberg. Public domain.