It would be difficult to give a complete idea of this noisily animated and fantastic scene, which included also a third carriage, filled, like the first, with a pyramid of grotesque and extravagant masks.  Amongst the delighted crowd, one person alone contemplated the picture with deep sorrow.  It was Mother Bunch, who was still kept, in spite of herself, in the first rank of spectators.

Separated from her sister for a long time, she now beheld her in all the pomp of her singular triumph, in the midst of the cries of joy, and the applause of her companions in pleasure.  Yet the eyes of the young sempstress grew dim with tears; for, though the Bacchanal Queen seemed to share in the stunning gayety of all around her—­though her face was radiant with smiles, and she appeared fully to enjoy the splendors of her temporary elevation—­yet she had the sincere pity of the poor workwoman, almost in rags, who was seeking, with the first dawn of morning, the means of earning her daily bread.

Mother Bunch had forgotten the crowd, to look only at her sister, whom she tenderly loved—­only the more tenderly, that she thought her situation to be pitied.  With her eyes fixed on the joyous and beautiful girl, her pale and gentle countenance expressed the most touching and painful interest.

All at once, as the brilliant glance of the Bacchanal Queen travelled along the crowd, it lighted on the sad features of Mother Bunch.

“My sister!” exclaimed Cephyse—­such was the name of the Bacchanal Queen—­“My sister!”—­and with one bound, light as a ballet-dancer, she sprang from her movable throne (which fortunately just happened to be stopping), and, rushing up to the hunchback, embraced her affectionately.

All this had passed so rapidly, that the companions of the Bacchanal Queen, still stupefied by the boldness of her perilous leap, knew not how to account for it; whilst the masks who surrounded Mother Bunch drew back in surprise, and the latter, absorbed in the delight of embracing her sister, whose caresses she returned, did not even think of the singular contrast between them, which was sure to soon excite the astonishment and hilarity of the crowd.

Cephyse was the first to think of this, and wishing to save her sister at least one humiliation, she turned towards the carriage, and said:  “Rose Pompon, throw me down my cloak; and, Ninny Moulin, open the door directly!”

Having received the cloak, the Bacchanal Queen hastily wrapped it round her sister, before the latter could speak or move.  Then, taking her by the hand, she said to her:  “Come! come!”

“I!” cried Mother Bunch, in alarm.  “Do not think of it!”

“I must speak with you.  I will get a private room, where we shall be alone.  So make haste, dear little sister!  Do not resist before all these people—­but come!”

The fear of becoming a public sight decided Mother Bunch, who, confused moreover with the adventure, trembling and frightened, followed her sister almost mechanically, and was dragged by her into the carriage, of which Ninny Moulin had just opened the door.  And so, with the cloak of the Bacchanal Queen covering Mother Bunch’s poor garments and deformed figure, the crowd had nothing to laugh at, and only wondered what this meeting could mean, while the coaches pursued their way to the eating house in the Place du Chatelet.