The Curious Republic of Gondour, and Other Whimsical Sketches eBook
Mark Twain
A COUPLE OF SAD EXPERIENCES
When I published a squib recently in which I said
I was going to edit an Agricultural Department in
this magazine, I certainly did not desire to deceive
anybody. I had not the remotest desire to play
upon any one’s confidence with a practical joke,
for he is a pitiful creature indeed who will degrade
the dignity of his humanity to the contriving of the
witless inventions that go by that name. I purposely
wrote the thing as absurdly and as extravagantly as
it could be written, in order to be sure and not mislead
hurried or heedless readers: for I spoke of launching
a triumphal barge upon a desert, and planting a tree
of prosperity in a mine—a tree whose fragrance
should slake the thirst of the naked, and whose branches
should spread abroad till they washed the chorea of,
etc., etc. I thought that manifest
lunacy like that would protect the reader. But
to make assurance absolute, and show that I did not
and could not seriously mean to attempt an Agricultural
Department, I stated distinctly in my postscript that
I did not know anything about Agriculture. But
alas! right there is where I made my worst mistake—for
that remark seems to have recommended my proposed
Agriculture more than anything else. It lets
a little light in on me, and I fancy I perceive that
the farmers feel a little bored, sometimes, by the
oracular profundity of agricultural editors who “know
it all.” In fact, one of my correspondents
suggests this (for that unhappy squib has deluged me
with letters about potatoes, and cabbages, and hominy,
and vermicelli, and maccaroni, and all the other fruits,
cereals, and vegetables that ever grew on earth; and
if I get done answering questions about the best way
of raising these things before I go raving crazy, I
shall be thankful, and shall never write obscurely
for fun any more).
Shall I tell the real reason why I have unintentionally
succeeded in fooling so many people? It is because
some of them only read a little of the squib I wrote
and jumped to the conclusion that it was serious, and
the rest did not read it at all, but heard of my agricultural
venture at second-hand. Those cases I could
not guard against, of course. To write a burlesque
so wild that its pretended facts will not be accepted
in perfect good faith by somebody, is, very nearly
an impossible thing to do. It is because, in
some instances, the reader is a person who never tries
to deceive anybody himself, and therefore is not expecting
any one to wantonly practise a deception upon him;
and in this case the only person dishonoured is the
man who wrote the burlesque. In other instances
the “nub” or moral of the burlesque—if
its object be to enforce a truth—escapes
notice in the superior glare of something in the body
of the burlesque itself. And very often this
“moral” is tagged on at the bottom, and
the reader, not knowing that it is the key of the
Copyrights
The Curious Republic of Gondour, and Other Whimsical Sketches from Project Gutenberg. Public domain.