Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.
not look back once, and then you plunged in, and I after you; but I was too far behind.  O, I did wish the horrid bushes had been cut down, so that I could see your dear shape again!  And then I called out to you, and nobody answered, and I was afraid to call very loud, lest anybody else should hear me.  Then I kept wandering and wandering about, and it was dreadful misery, Dick.  And then I shut my eyes and fell to picturing you looking at some other woman, very pretty and nice, but with no affection or truth in her at all, and then imagined you saying to yourself, ’Ah, she’s as good as Fancy, for Fancy told me a story, and was a flirt, and cared for herself more than me, so now I’ll have this one for my sweetheart.’  O, you won’t, will you, Dick, for I do love you so!”

It is scarcely necessary to add that Dick renounced his freedom there and then, and kissed her ten times over, and promised that no pretty woman of the kind alluded to should ever engross his thoughts; in short, that though he had been vexed with her, all such vexation was past, and that henceforth and for ever it was simply Fancy or death for him.  And then they set about proceeding homewards, very slowly on account of Fancy’s weariness, she leaning upon his shoulder, and in addition receiving support from his arm round her waist; though she had sufficiently recovered from her desperate condition to sing to him, ’Why are you wandering here, I pray?’ during the latter part of their walk.  Nor is it necessary to describe in detail how the bag of nuts was quite forgotten until three days later, when it was found among the brambles and restored empty to Mrs. Dewy, her initials being marked thereon in red cotton; and how she puzzled herself till her head ached upon the question of how on earth her meal-bag could have got into Cuckoo-Lane.


Saturday evening saw Dick Dewy journeying on foot to Yalbury Wood, according to the arrangement with Fancy.

The landscape being concave, at the going down of the sun everything suddenly assumed a uniform robe of shade.  The evening advanced from sunset to dusk long before Dick’s arrival, and his progress during the latter portion of his walk through the trees was indicated by the flutter of terrified birds that had been roosting over the path.  And in crossing the glades, masses of hot dry air, that had been formed on the hills during the day, greeted his cheeks alternately with clouds of damp night air from the valleys.  He reached the keeper-steward’s house, where the grass-plot and the garden in front appeared light and pale against the unbroken darkness of the grove from which he had emerged, and paused at the garden gate.

He had scarcely been there a minute when he beheld a sort of procession advancing from the door in his front.  It consisted first of Enoch the trapper, carrying a spade on his shoulder and a lantern dangling in his hand; then came Mrs. Day, the light of the lantern revealing that she bore in her arms curious objects about a foot long, in the form of Latin crosses (made of lath and brown paper dipped in brimstone—­called matches by bee-masters); next came Miss Day, with a shawl thrown over her head; and behind all, in the gloom, Mr. Frederic Shiner.

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.
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