Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Fancy Day and her friend Susan Dewy the tranter’s daughter, were in such a spot as this, pulling down a bough laden with early apples.  Three months had elapsed since Dick and Fancy had journeyed together from Budmouth, and the course of their love had run on vigorously during the whole time.  There had been just enough difficulty attending its development, and just enough finesse required in keeping it private, to lend the passion an ever-increasing freshness on Fancy’s part, whilst, whether from these accessories or not, Dick’s heart had been at all times as fond as could be desired.  But there was a cloud on Fancy’s horizon now.

“She is so well off—­better than any of us,” Susan Dewy was saying.  “Her father farms five hundred acres, and she might marry a doctor or curate or anything of that kind if she contrived a little.”

“I don’t think Dick ought to have gone to that gipsy-party at all when he knew I couldn’t go,” replied Fancy uneasily.

“He didn’t know that you would not be there till it was too late to refuse the invitation,” said Susan.

“And what was she like?  Tell me.”

“Well, she was rather pretty, I must own.”

“Tell straight on about her, can’t you!  Come, do, Susan.  How many times did you say he danced with her?”

“Once.”

“Twice, I think you said?”

“Indeed I’m sure I didn’t.”

“Well, and he wanted to again, I expect.”

“No; I don’t think he did.  She wanted to dance with him again bad enough, I know.  Everybody does with Dick, because he’s so handsome and such a clever courter.”

“O, I wish!—­How did you say she wore her hair?”

“In long curls,—­and her hair is light, and it curls without being put in paper:  that’s how it is she’s so attractive.”

“She’s trying to get him away! yes, yes, she is!  And through keeping this miserable school I mustn’t wear my hair in curls!  But I will; I don’t care if I leave the school and go home, I will wear my curls!  Look, Susan, do! is her hair as soft and long as this?” Fancy pulled from its coil under her hat a twine of her own hair, and stretched it down her shoulder to show its length, looking at Susan to catch her opinion from her eyes.

“It is about the same length as that, I think,” said Miss Dewy.

Fancy paused hopelessly.  “I wish mine was lighter, like hers!” she continued mournfully.  “But hers isn’t so soft, is it?  Tell me, now.”

“I don’t know.”

Fancy abstractedly extended her vision to survey a yellow butterfly and a red-and-black butterfly that were flitting along in company, and then became aware that Dick was advancing up the garden.

“Susan, here’s Dick coming; I suppose that’s because we’ve been talking about him.”

“Well, then, I shall go indoors now—­you won’t want me;” and Susan turned practically and walked off.

Enter the single-minded Dick, whose only fault at the gipsying, or picnic, had been that of loving Fancy too exclusively, and depriving himself of the innocent pleasure the gathering might have afforded him, by sighing regretfully at her absence,—­who had danced with the rival in sheer despair of ever being able to get through that stale, flat, and unprofitable afternoon in any other way; but this she would not believe.

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.