Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

As they were going rather slowly, another spring-cart, containing a farmer, farmer’s wife, and farmer’s man, jogged past them; and the farmer’s wife and farmer’s man eyed the couple very curiously.  The farmer never looked up from the horse’s tail.

“Why can’t you exactly answer?” said Dick, quickening Smart a little, and jogging on just behind the farmer and farmer’s wife and man.

As no answer came, and as their eyes had nothing else to do, they both contemplated the picture presented in front, and noticed how the farmer’s wife sat flattened between the two men, who bulged over each end of the seat to give her room, till they almost sat upon their respective wheels; and they looked too at the farmer’s wife’s silk mantle, inflating itself between her shoulders like a balloon and sinking flat again, at each jog of the horse.  The farmer’s wife, feeling their eyes sticking into her back, looked over her shoulder.  Dick dropped ten yards further behind.

“Fancy, why can’t you answer?” he repeated.

“Because how much you are to me depends upon how much I am to you,” said she in low tones.

“Everything,” said Dick, putting his hand towards hers, and casting emphatic eyes upon the upper curve of her cheek.

“Now, Richard Dewy, no touching me!  I didn’t say in what way your thinking of me affected the question—­perhaps inversely, don’t you see?  No touching, sir!  Look; goodness me, don’t, Dick!”

The cause of her sudden start was the unpleasant appearance over Dick’s right shoulder of an empty timber-wagon and four journeymen-carpenters reclining in lazy postures inside it, their eyes directed upwards at various oblique angles into the surrounding world, the chief object of their existence being apparently to criticize to the very backbone and marrow every animate object that came within the compass of their vision.  This difficulty of Dick’s was overcome by trotting on till the wagon and carpenters were beginning to look rather misty by reason of a film of dust that accompanied their wagon-wheels, and rose around their heads like a fog.

“Say you love me, Fancy.”

“No, Dick, certainly not; ’tisn’t time to do that yet.”

“Why, Fancy?”

“‘Miss Day’ is better at present—­don’t mind my saying so; and I ought not to have called you Dick.”

“Nonsense! when you know that I would do anything on earth for your love.  Why, you make any one think that loving is a thing that can be done and undone, and put on and put off at a mere whim.”

“No, no, I don’t,” she said gently; “but there are things which tell me I ought not to give way to much thinking about you, even if—­”

“But you want to, don’t you?  Yes, say you do; it is best to be truthful.  Whatever they may say about a woman’s right to conceal where her love lies, and pretend it doesn’t exist, and things like that, it is not best; I do know it, Fancy.  And an honest woman in that, as well as in all her daily concerns, shines most brightly, and is thought most of in the long-run.”

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Project Gutenberg
Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.