Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

“That was very nice o’ the man, even though words be wind.”

“Proper nice—­out and out nice.  The fact is,” said Reuben confidentially, “’tis how you take a man.  Everybody must be managed.  Queens must be managed:  kings must be managed; for men want managing almost as much as women, and that’s saying a good deal.”

“’Tis truly!” murmured the husbands.

“Pa’son Mayble and I were as good friends all through it as if we’d been sworn brothers.  Ay, the man’s well enough; ’tis what’s put in his head that spoils him, and that’s why we’ve got to go.”

“There’s really no believing half you hear about people nowadays.”

“Bless ye, my sonnies! ’tisn’t the pa’son’s move at all.  That gentleman over there” (the tranter nodded in the direction of Shiner’s farm) “is at the root of the mischty.”

“What!  Shiner?”

“Ay; and I see what the pa’son don’t see.  Why, Shiner is for putting forward that young woman that only last night I was saying was our Dick’s sweet-heart, but I suppose can’t be, and making much of her in the sight of the congregation, and thinking he’ll win her by showing her off.  Well, perhaps ’a woll.”

“Then the music is second to the woman, the other churchwarden is second to Shiner, the pa’son is second to the churchwardens, and God A’mighty is nowhere at all.”

“That’s true; and you see,” continued Reuben, “at the very beginning it put me in a stud as to how to quarrel wi’ en.  In short, to save my soul, I couldn’t quarrel wi’ such a civil man without belying my conscience.  Says he to father there, in a voice as quiet as a lamb’s, ’William, you are a’ old aged man, as all shall be, so sit down in my easy-chair, and rest yourself.’  And down father zot.  I could fain ha’ laughed at thee, father; for thou’st take it so unconcerned at first, and then looked so frightened when the chair-bottom sunk in.”

“You see,” said old William, hastening to explain, “I was scared to find the bottom gie way—­what should I know o’ spring bottoms?—­and thought I had broke it down:  and of course as to breaking down a man’s chair, I didn’t wish any such thing.”

“And, neighbours, when a feller, ever so much up for a miff, d’see his own father sitting in his enemy’s easy-chair, and a poor chap like Leaf made the best of, as if he almost had brains—­why, it knocks all the wind out of his sail at once:  it did out of mine.”

“If that young figure of fun—­Fance Day, I mean,” said Bowman, “hadn’t been so mighty forward wi’ showing herself off to Shiner and Dick and the rest, ‘tis my belief we should never ha’ left the gallery.”

“’Tis my belief that though Shiner fired the bullets, the parson made ‘em,” said Mr. Penny.  “My wife sticks to it that he’s in love wi’ her.”

“That’s a thing we shall never know.  I can’t onriddle her, nohow.”

“Thou’st ought to be able to onriddle such a little chiel as she,” the tranter observed.

Project Gutenberg
Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.
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