Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

The others became far too serious at this announcement to allow them to speak; and they still regarded Dick in the distance.

“’Twas his mother’s fault,” the tranter continued, “in asking the young woman to our party last Christmas.  When I eyed the blue frock and light heels o’ the maid, I had my thoughts directly.  ’God bless thee, Dicky my sonny,’ I said to myself; ‘there’s a delusion for thee!’”

“They seemed to be rather distant in manner last Sunday, I thought?” Mail tentatively observed, as became one who was not a member of the family.

“Ay, that’s a part of the zickness.  Distance belongs to it, slyness belongs to it, queerest things on earth belongs to it!  There, ’tmay as well come early as late s’far as I know.  The sooner begun, the sooner over; for come it will.”

“The question I ask is,” said Mr. Spinks, connecting into one thread the two subjects of discourse, as became a man learned in rhetoric, and beating with his hand in a way which signified that the manner rather than the matter of his speech was to be observed, “how did Mr. Maybold know she could play the organ?  You know we had it from her own lips, as far as lips go, that she has never, first or last, breathed such a thing to him; much less that she ever would play.”

In the midst of this puzzle Dick joined the party, and the news which had caused such a convulsion among the ancient musicians was unfolded to him.  “Well,” he said, blushing at the allusion to Miss Day, “I know by some words of hers that she has a particular wish not to play, because she is a friend of ours; and how the alteration comes, I don’t know.”

“Now, this is my plan,” said the tranter, reviving the spirit of the discussion by the infusion of new ideas, as was his custom—­“this is my plan; if you don’t like it, no harm’s done.  We all know one another very well, don’t we, neighbours?”

That they knew one another very well was received as a statement which, though familiar, should not be omitted in introductory speeches.

“Then I say this”—­and the tranter in his emphasis slapped down his hand on Mr. Spinks’s shoulder with a momentum of several pounds, upon which Mr. Spinks tried to look not in the least startled—­“I say that we all move down-along straight as a line to Pa’son Mayble’s when the clock has gone six to-morrow night.  There we one and all stand in the passage, then one or two of us go in and spak to en, man and man; and say, ’Pa’son Mayble, every tradesman d’like to have his own way in his workshop, and Mellstock Church is yours.  Instead of turning us out neck and crop, let us stay on till Christmas, and we’ll gie way to the young woman, Mr. Mayble, and make no more ado about it.  And we shall always be quite willing to touch our hats when we meet ye, Mr. Mayble, just as before.’  That sounds very well?  Hey?”

“Proper well, in faith, Reuben Dewy.”

“And we won’t sit down in his house; ’twould be looking too familiar when only just reconciled?”

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Project Gutenberg
Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.