Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.
to the top again, and have anew the same exciting run down through.  Dick’s feelings on actually reaching the top in spite of his doubts were supplemented by a mortal fear that the fiddling might even stop at this supreme moment; which prompted him to convey a stealthy whisper to the far-gone musicians, to the effect that they were not to leave off till he and his partner had reached the bottom of the dance once more, which remark was replied to by the nearest of those convulsed and quivering men by a private nod to the anxious young man between two semiquavers of the tune, and a simultaneous “All right, ay, ay,” without opening the eyes.  Fancy was now held so closely that Dick and she were practically one person.  The room became to Dick like a picture in a dream; all that he could remember of it afterwards being the look of the fiddlers going to sleep, as humming-tops sleep, by increasing their motion and hum, together with the figures of grandfather James and old Simon Crumpler sitting by the chimney-corner, talking and nodding in dumb-show, and beating the air to their emphatic sentences like people near a threshing machine.

The dance ended.  “Piph-h-h-h!” said tranter Dewy, blowing out his breath in the very finest stream of vapour that a man’s lips could form.  “A regular tightener, that one, sonnies!” He wiped his forehead, and went to the cider and ale mugs on the table.

“Well!” said Mrs. Penny, flopping into a chair, “my heart haven’t been in such a thumping state of uproar since I used to sit up on old Midsummer-eves to see who my husband was going to be.”

“And that’s getting on for a good few years ago now, from what I’ve heard you tell,” said the tranter, without lifting his eyes from the cup he was filling.  Being now engaged in the business of handing round refreshments, he was warranted in keeping his coat off still, though the other heavy men had resumed theirs.

“And a thing I never expected would come to pass, if you’ll believe me, came to pass then,” continued Mrs. Penny.  “Ah, the first spirit ever I see on a Midsummer-eve was a puzzle to me when he appeared, a hard puzzle, so say I!”

“So I should have fancied,” said Elias Spinks.

“Yes,” said Mrs. Penny, throwing her glance into past times, and talking on in a running tone of complacent abstraction, as if a listener were not a necessity.  “Yes; never was I in such a taking as on that Midsummer-eve!  I sat up, quite determined to see if John Wildway was going to marry me or no.  I put the bread-and-cheese and beer quite ready, as the witch’s book ordered, and I opened the door, and I waited till the clock struck twelve, my nerves all alive and so strained that I could feel every one of ’em twitching like bell-wires.  Yes, sure! and when the clock had struck, lo and behold, I could see through the door a little small man in the lane wi’ a shoemaker’s apron on.”

Here Mr. Penny stealthily enlarged himself half an inch.

Project Gutenberg
Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.
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