Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

In the morning, do what he would—­go upstairs, downstairs, out of doors, speak of the wind and weather, or what not—­he could not refrain from an unceasing renewal, in imagination, of that interesting enactment.  Tilted on the edge of one foot he stood beside the fireplace, watching his mother grilling rashers; but there was nothing in grilling, he thought, unless the Vision grilled.  The limp rasher hung down between the bars of the gridiron like a cat in a child’s arms; but there was nothing in similes, unless She uttered them.  He looked at the daylight shadows of a yellow hue, dancing with the firelight shadows in blue on the whitewashed chimney corner, but there was nothing in shadows.  “Perhaps the new young wom—­sch—­Miss Fancy Day will sing in church with us this morning,” he said.

The tranter looked a long time before he replied, “I fancy she will; and yet I fancy she won’t.”

Dick implied that such a remark was rather to be tolerated than admired; though deliberateness in speech was known to have, as a rule, more to do with the machinery of the tranter’s throat than with the matter enunciated.

They made preparations for going to church as usual; Dick with extreme alacrity, though he would not definitely consider why he was so religious.  His wonderful nicety in brushing and cleaning his best light boots had features which elevated it to the rank of an art.  Every particle and speck of last week’s mud was scraped and brushed from toe and heel; new blacking from the packet was carefully mixed and made use of, regardless of expense.  A coat was laid on and polished; then another coat for increased blackness; and lastly a third, to give the perfect and mirror-like jet which the hoped-for rencounter demanded.

It being Christmas-day, the tranter prepared himself with Sunday particularity.  Loud sousing and snorting noises were heard to proceed from a tub in the back quarters of the dwelling, proclaiming that he was there performing his great Sunday wash, lasting half-an-hour, to which his washings on working-day mornings were mere flashes in the pan.  Vanishing into the outhouse with a large brown towel, and the above-named bubblings and snortings being carried on for about twenty minutes, the tranter would appear round the edge of the door, smelling like a summer fog, and looking as if he had just narrowly escaped a watery grave with the loss of much of his clothes, having since been weeping bitterly till his eyes were red; a crystal drop of water hanging ornamentally at the bottom of each ear, one at the tip of his nose, and others in the form of spangles about his hair.

After a great deal of crunching upon the sanded stone floor by the feet of father, son, and grandson as they moved to and fro in these preparations, the bass-viol and fiddles were taken from their nook, and the strings examined and screwed a little above concert-pitch, that they might keep their tone when the service began, to obviate the awkward contingency of having to retune them at the back of the gallery during a cough, sneeze, or amen—­an inconvenience which had been known to arise in damp wintry weather.

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.
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