Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Old William Dewy, with the violoncello, played the bass; his grandson Dick the treble violin; and Reuben and Michael Mail the tenor and second violins respectively.  The singers consisted of four men and seven boys, upon whom devolved the task of carrying and attending to the lanterns, and holding the books open for the players.  Directly music was the theme, old William ever and instinctively came to the front.

“Now mind, neighbours,” he said, as they all went out one by one at the door, he himself holding it ajar and regarding them with a critical face as they passed, like a shepherd counting out his sheep.  “You two counter-boys, keep your ears open to Michael’s fingering, and don’t ye go straying into the treble part along o’ Dick and his set, as ye did last year; and mind this especially when we be in ‘Arise, and hail.’  Billy Chimlen, don’t you sing quite so raving mad as you fain would; and, all o’ ye, whatever ye do, keep from making a great scuffle on the ground when we go in at people’s gates; but go quietly, so as to strike up all of a sudden, like spirits.”

“Farmer Ledlow’s first?”

“Farmer Ledlow’s first; the rest as usual.”

“And, Voss,” said the tranter terminatively, “you keep house here till about half-past two; then heat the metheglin and cider in the warmer you’ll find turned up upon the copper; and bring it wi’ the victuals to church-hatch, as th’st know.”

* * * * *

Just before the clock struck twelve they lighted the lanterns and started.  The moon, in her third quarter, had risen since the snowstorm; but the dense accumulation of snow-cloud weakened her power to a faint twilight, which was rather pervasive of the landscape than traceable to the sky.  The breeze had gone down, and the rustle of their feet and tones of their speech echoed with an alert rebound from every post, boundary-stone, and ancient wall they passed, even where the distance of the echo’s origin was less than a few yards.  Beyond their own slight noises nothing was to be heard, save the occasional bark of foxes in the direction of Yalbury Wood, or the brush of a rabbit among the grass now and then, as it scampered out of their way.

Most of the outlying homesteads and hamlets had been visited by about two o’clock; they then passed across the outskirts of a wooded park toward the main village, nobody being at home at the Manor.  Pursuing no recognized track, great care was necessary in walking lest their faces should come in contact with the low-hanging boughs of the old lime-trees, which in many spots formed dense over-growths of interlaced branches.

“Times have changed from the times they used to be,” said Mail, regarding nobody can tell what interesting old panoramas with an inward eye, and letting his outward glance rest on the ground, because it was as convenient a position as any.  “People don’t care much about us now!  I’ve been thinking we must be almost the last left in the county of the old string players?  Barrel-organs, and the things next door to ’em that you blow wi’ your foot, have come in terribly of late years.”

Copyrights
Project Gutenberg
Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.