Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school eBook

This eBook from the Gutenberg Project consists of approximately 235 pages of information about Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school.

About the room were sitting and standing, in various gnarled attitudes, our old acquaintance, grandfathers James and William, the tranter, Mr. Penny, two or three children, including Jimmy and Charley, besides three or four country ladies and gentlemen from a greater distance who do not require any distinction by name.  Geoffrey was seen and heard stamping about the outhouse and among the bushes of the garden, attending to details of daily routine before the proper time arrived for their performance, in order that they might be off his hands for the day.  He appeared with his shirt-sleeves rolled up; his best new nether garments, in which he had arrayed himself that morning, being temporarily disguised under a weekday apron whilst these proceedings were in operation.  He occasionally glanced at the hives in passing, to see if his wife’s bees were swarming, ultimately rolling down his shirt-sleeves and going indoors, talking to tranter Dewy whilst buttoning the wristbands, to save time; next going upstairs for his best waistcoat, and coming down again to make another remark whilst buttoning that, during the time looking fixedly in the tranter’s face as if he were a looking-glass.

The furniture had undergone attenuation to an alarming extent, every duplicate piece having been removed, including the clock by Thomas Wood; Ezekiel Saunders being at last left sole referee in matters of time.

Fancy was stationary upstairs, receiving her layers of clothes and adornments, and answering by short fragments of laughter which had more fidgetiness than mirth in them, remarks that were made from time to time by Mrs. Dewy and Mrs. Penny, who were assisting her at the toilet, Mrs. Day having pleaded a queerness in her head as a reason for shutting herself up in an inner bedroom for the whole morning.  Mrs. Penny appeared with nine corkscrew curls on each side of her temples, and a back comb stuck upon her crown like a castle on a steep.

The conversation just now going on was concerning the banns, the last publication of which had been on the Sunday previous.

“And how did they sound?” Fancy subtly inquired.

“Very beautiful indeed,” said Mrs. Penny.  “I never heard any sound better.”

“But how?”

“O, so natural and elegant, didn’t they, Reuben!” she cried, through the chinks of the unceiled floor, to the tranter downstairs.

“What’s that?” said the tranter, looking up inquiringly at the floor above him for an answer.

“Didn’t Dick and Fancy sound well when they were called home in church last Sunday?” came downwards again in Mrs. Penny’s voice.

“Ay, that they did, my sonnies!—­especially the first time.  There was a terrible whispering piece of work in the congregation, wasn’t there, neighbour Penny?” said the tranter, taking up the thread of conversation on his own account and, in order to be heard in the room above, speaking very loud to Mr. Penny, who sat at the distance of three feet from him, or rather less.

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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school from Project Gutenberg. Public domain.