“You all wanter know why I’m going to marry Tom Sparrell?” she queried, standing up and facing the whole family circle.
“Why I prefer him to the hull caboodle that you girls have married or are going to marry?” she continued, meditatively biting the end of her braid.
“Well, he’s the only man of the whole lot that hasn’t proposed to me first.”
It is presumed that Sparrell made good the omission, or that the family were glad to get rid of her, for they were married that autumn. And really a later comparison of the family records shows that while Captain Fairfax remained “Captain Fairfax,” and the other sons-in-law did not advance proportionately in standing or riches, the lame storekeeper of Red Gulch became the Hon. Senator Tom Sparrell.
A WIDOW OF THE SANTA ANA VALLEY
The Widow Wade was standing at her bedroom window staring out, in that vague instinct which compels humanity in moments of doubt and perplexity to seek this change of observation or superior illumination. Not that Mrs. Wade’s disturbance was of a serious character. She had passed the acute stage of widowhood by at least two years, and the slight redness of her soft eyelids as well as the droop of her pretty mouth were merely the recognized outward and visible signs of the grievously minded religious community in which she lived. The mourning she still wore was also partly in conformity with the sad-colored garments of her neighbors, and the necessities of the rainy season. She was in comfortable circumstances, the mistress of a large ranch in the valley, which had lately become more valuable by the extension of a wagon road through its centre. She was simply worrying whether she should go to a “sociable” ending with “a dance”—a daring innovation of some strangers—at the new hotel, or continue to eschew such follies, that were, according to local belief, unsuited to “a vale of tears.”
Indeed at this moment the prospect she gazed abstractedly upon seemed to justify that lugubrious description. The Santa Ana Valley—a long monotonous level—was dimly visible through moving curtains of rain or veils of mist, to the black mourning edge of the horizon, and had looked like that for months. The valley—in some remote epoch an arm of the San Francisco Bay—every rainy season seemed to be trying to revert to its original condition, and, long after the early spring had laid on its liberal color in strips, bands, and patches of blue and yellow, the blossoms of mustard and lupine glistened like wet paint. Nevertheless on that rich alluvial soil Nature’s tears seemed only to fatten the widow’s acres and increase her crops. Her neighbors, too, were equally prosperous. Yet for six months of the year the recognized expression of Santa Ana was one of sadness, and for the other six months—of resignation. Mrs. Wade had yielded early to this influence, as she had to others, in the weakness of her gentle nature, and partly as it was more becoming the singular tragedy that had made her a widow.