I have been speaking of public architecture only.
The domestic article in New Orleans is reproachless,
notwithstanding it remains as it always was.
All the dwellings are of wood—in the American
part of the town, I mean—and all have a
comfortable look. Those in the wealthy quarter
are spacious; painted snow-white usually, and generally
have wide verandas, or double-verandas, supported
by ornamental columns. These mansions stand in
the center of large grounds, and rise, garlanded with
roses, out of the midst of swelling masses of shining
green foliage and many-colored blossoms. No
houses could well be in better harmony with their
surroundings, or more pleasing to the eye, or more
home-like and comfortable-looking.
One even becomes reconciled to the cistern presently;
this is a mighty cask, painted green, and sometimes
a couple of stories high, which is propped against
the house-corner on stilts. There is a mansion-and-brewery
suggestion about the combination which seems very incongruous
at first. But the people cannot have wells, and
so they take rain-water. Neither can they conveniently
have cellars, or graves,{footnote [The Israelites
are buried in graves—by permission, I take
it, not requirement; but none else, except the destitute,
who are buried at public expense. The graves
are but three or four feet deep.]} the town being
built upon ‘made’ ground; so they do without
both, and few of the living complain, and none of
the others.
Chapter 42 Hygiene and Sentiment
They bury their dead in vaults, above the ground.
These vaults have a resemblance to houses—sometimes
to temples; are built of marble, generally; are architecturally
graceful and shapely; they face the walks and driveways
of the cemetery; and when one moves through the midst
of a thousand or so of them and sees their white roofs
and gables stretching into the distance on every hand,
the phrase ‘city of the dead’ has all
at once a meaning to him. Many of the cemeteries
are beautiful, and are kept in perfect order.
When one goes from the levee or the business streets
near it, to a cemetery, he observes to himself that
if those people down there would live as neatly while
they are alive as they do after they are dead, they
would find many advantages in it; and besides, their
quarter would be the wonder and admiration of the business
world. Fresh flowers, in vases of water, are
to be seen at the portals of many of the vaults:
placed there by the pious hands of bereaved parents
and children, husbands and wives, and renewed daily.
A milder form of sorrow finds its inexpensive and
lasting remembrancer in the coarse and ugly but indestructible
’immortelle’—which is a wreath
or cross or some such emblem, made of rosettes of
black linen, with sometimes a yellow rosette at the
conjunction of the cross’s bars—kind
of sorrowful breast-pin, so to say. The immortelle
requires no attention: you just hang it up, and
there you are; just leave it alone, it will take care
of your grief for you, and keep it in mind better
than you can; stands weather first-rate, and lasts
like boiler-iron.
Copyrights
Life on the Mississippi from Project Gutenberg. Public domain.