Madame Bovary eBook

This eBook from the Gutenberg Project consists of approximately 342 pages of information about Madame Bovary.

We leave the highroad at La Boissiere and keep straight on to the top of the Leux hill, whence the valley is seen.  The river that runs through it makes of it, as it were, two regions with distinct physiognomies—­all on the left is pasture land, all of the right arable.  The meadow stretches under a bulge of low hills to join at the back with the pasture land of the Bray country, while on the eastern side, the plain, gently rising, broadens out, showing as far as eye can follow its blond cornfields.  The water, flowing by the grass, divides with a white line the colour of the roads and of the plains, and the country is like a great unfolded mantle with a green velvet cape bordered with a fringe of silver.

Before us, on the verge of the horizon, lie the oaks of the forest of Argueil, with the steeps of the Saint-Jean hills scarred from top to bottom with red irregular lines; they are rain tracks, and these brick-tones standing out in narrow streaks against the grey colour of the mountain are due to the quantity of iron springs that flow beyond in the neighboring country.

Here we are on the confines of Normandy, Picardy, and the Ile-de-France, a bastard land whose language is without accent and its landscape is without character.  It is there that they make the worst Neufchatel cheeses of all the arrondissement; and, on the other hand, farming is costly because so much manure is needed to enrich this friable soil full of sand and flints.

Up to 1835 there was no practicable road for getting to Yonville, but about this time a cross-road was made which joins that of Abbeville to that of Amiens, and is occasionally used by the Rouen wagoners on their way to Flanders.  Yonville-l’Abbaye has remained stationary in spite of its “new outlet.”  Instead of improving the soil, they persist in keeping up the pasture lands, however depreciated they may be in value, and the lazy borough, growing away from the plain, has naturally spread riverwards.  It is seem from afar sprawling along the banks like a cowherd taking a siesta by the water-side.

At the foot of the hill beyond the bridge begins a roadway, planted with young aspens, that leads in a straight line to the first houses in the place.  These, fenced in by hedges, are in the middle of courtyards full of straggling buildings, wine-presses, cart-sheds and distilleries scattered under thick trees, with ladders, poles, or scythes hung on to the branches.  The thatched roofs, like fur caps drawn over eyes, reach down over about a third of the low windows, whose coarse convex glasses have knots in the middle like the bottoms of bottles.  Against the plaster wall diagonally crossed by black joists, a meagre pear-tree sometimes leans and the ground-floors have at their door a small swing-gate to keep out the chicks that come pilfering crumbs of bread steeped in cider on the threshold.  But the courtyards grow narrower, the houses closer together, and the fences disappear;

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Madame Bovary from Project Gutenberg. Public domain.