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George Rawlinson
This eBook from the Gutenberg Project consists of approximately 429 pages of information about History of Phoenicia.

[Footnote 11137:  Doellinger, Judenthum und Heidenthum (i. 431; Engl.  Tr.).  Compare Senec. De Vita Beata, Sec. 27; Lact.  Sec. 121.]

[Footnote 11138:  Liban. Opera, xi. 456, 555; cxi. 333.]

[Footnote 11139:  Compare Perrot et Chipiez, Histoire de l’Art, iii. 210, 232, 233, 236; Di Cesnola, Cyprus, pp. 66, 67, &c.  In the anthropoeid sarcophagi, a hole is generally bored from the cavity of the ear right through the entire thickness of the stone, in order, apparently, that the corpse might hear the prayers addressed to it (Perrot et Chipiez, iii. 139).]

[Footnote 11140:  One of Esmunazar’s curses on those who should disturb his remains is a prayer that they may not be “held in honour among the Manes” (Corps.  Ins.  Semit. vol. i.  Fasc. 1, p. 9).  A funereal inscription translated by Gesenius (Mon.  Phoen. p. 147) ends with the words, “After rain the sun shines forth.”]

[Footnote 11141:  Perrot et Chipiez, iii. 139.]

[Footnote 11142:  Job iii. 11-19.]

[Footnote 11143:  The compilers of the Corpus Ins.  Smit. edit 256 of these, and then stop, fearing to weary the reader (i. 449).]

[Footnote 11144:  Di Cesnola, Cyprus, p. 325.]

[Footnote 11145:  Ibid. p. 146.]

[Footnote 11146:  Di Cesnola, Cyprus, pp. 306-334.]

XII—­DRESS, ORNAMENTS, AND SOCIAL HABITS

[Footnote 0121:  See also Di Cesnola, Cyprus, p. 233; Perrot et Chipiez, Hist. de l’Art, iii. 405, 447, 515, &c.]

[Footnote 0122:  Perrot et Chipiez, iii. 428, 527, 531, 533, 534, &c.]

[Footnote 0123:  Ibid. pp. 527, 545; Di Cesnola, Cyprus, p. 145.]

[Footnote 0124:  Perrot et Chipiez, p. 538.]

[Footnote 0125:  Ibid. pp. 539, 547; Di Cesnola, pp. 143, 145, 149, 151, &c.]

[Footnote 0126:  Di Cesnola, pp. 141, 145, 149, 151, 153, 240, 344.]

[Footnote 0127:  Ibid. pp. 141, 143, 149; Perrot et Chipiez, pp. 511, 513, 531, &c.]

[Footnote 0128:  Perrot et Chipiez, pp. 519, 523, &c.]

[Footnote 0129:  Ibid. pp. 531, 533; Di Cesnola, pp. 129, 131, &c.]

[Footnote 1210:  Perrot et Chipiez, pp. 527, 533, 539; Di Cesnola, pp. 129, 145, 154.]

[Footnote 1211:  Di Cesnola, p. 306.]

[Footnote 1212:  Ibid.  Pls. xlvi. and xlvii.; Perrot et Chipiez, pp. 205, 643, 837.]

[Footnote 1213:  Di Cesnola, p. 132.]

[Footnote 1214:  Perrot et Chipiez, pp. 64, 450, 555, 557; Di Cesnola, Pls vi. and xv.; also p. 275.]

[Footnote 1215:  Perrot et Chipiez, Hist. de l’Art, iii. 431.]

[Footnote 1216:  Perrot et Chipiez, pp. 202, 451, 554.]

[Footnote 1217:  Ibid. pp. 473, 549; Di Cesnola, Cyprus, p. 230.]

[Footnote 1218:  Perrot et Chipiez, iii. 549.]

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