A great clamour in Paimpol; sounds of bells mingled with the chants of the priests.  Rough and monotonous songs in the taverns—­old sailor lullabies—­songs of woe, arisen from the sea, drawn from the deep night of bygone ages.  Groups of sailors, arm-in-arm, zigzagging through the streets, from their habit of rolling, and because they were half-drunk.  Groups of girls in their nun-like white caps.  Old granite houses sheltering these seething crowds; antiquated roofs telling of their struggles, through many centuries, against the western winds, the mist, and the rain; and relating, too, many stories of love and adventure that had passed under their protection.

And floating over all was a deep religious sentiment, a feeling of bygone days, with respect for ancient veneration and the symbols that protect it, and for the white, immaculate Virgin.  Side by side with the taverns rose the church, its deep sombre portals thrown open, and steps strewn with flowers, with its perfume of incense, its lighted tapers, and the votive offerings of sailors hung all over the sacred arch.  And side by side also with the happy girls were the sweethearts of dead sailors, and the widows of the shipwrecked fishers, quitting the chapel of the dead in their long mourning shawls and their smooth tiny coiffes; with eyes downward bent, noiselessly they passed through the midst of this clamouring life, like a sombre warning.  And close to all was the everlasting sea, the huge nurse and devourer of these vigorous generations, become fierce and agitated as if to take part in the fete.

Gaud had but a confused impression of all these things together.  Excited and merry, yet with her heart aching, she felt a sort of anguish seize her at the idea that this country had now become her own again.  On the market-place, where there were games and acrobats, she walked up and down with her friends, who named and pointed out to her from time to time the young men of Paimpol or Ploubazlanec.  A group of these “Icelanders” were standing before the singers of “complaintes,” (songs of woe) with their backs turned towards them.  And directly Gaud was struck with one of them, tall as a giant, with huge shoulders almost too broad; but she had simply said, perhaps with a touch of mockery:  “There is one who is tall, to say the least!” And the sentence implied beneath this was:  “What an incumbrance he’ll be to the woman he marries, a husband of that size!”

He had turned round as if he had heard her, and had given her a quick glance from top to toe, seeming to say:  “Who is this girl who wears the coiffe of Paimpol, who is so elegant, and whom I never have seen before?”

And he quickly bent his eyes to the ground for politeness’ sake, and had appeared to take a renewed interest in the singers, only showing the back of his head and his black hair that fell in rather long curls upon his neck.  And although she had asked the names of several others, she had not dared ask his.  The fine profile, the grand half-savage look, the brown, almost tawny pupils moving rapidly on the bluish opal of the eyes; all this had impressed her and made her timid.