we not add Dr. Weir Mitchell?—Dr. Holmes
excellently represents the physician in humane letters.
He has left a blameless and most amiable memory, unspotted
by the world. His works are full of the savour
of his native soil, naturally, without straining after
“Americanism;” and they are national,
not local or provincial. He crossed the great
gulf of years, between the central age of American
literary production—the time of Hawthorne
and Poe—to our own time, and, like Nestor,
he reigned among the third generation. As far
as the world knows, the shadow of a literary quarrel
never fell on him; he was without envy or jealousy,
incurious of his own place, never vain, petulant,
or severe. He was even too good-humoured, and
the worst thing I have heard of him is that he could
never say “no” to an autograph hunter.
CHAPTER V: MR. MORRIS’S POEMS
“Enough,” said the pupil of the wise Imlac,
“you have convinced me that no man can be a
poet.” The study of Mr. William Morris’s
poems, in the new collected edition, {5} has convinced
me that no man, or, at least, no middle-aged man,
can be a critic. I read Mr. Morris’s poems
(thanks to the knightly honours conferred on the Bard
of Penrhyn, there is now no ambiguity as to ’Mr.
Morris’), but it is not the book only that I
read. The scroll of my youth is unfolded.
I see the dear place where first I perused “The
Blue Closet”; the old faces of old friends flock
around me; old chaff, old laughter, old happiness
re-echo and revive. St. Andrews, Oxford, come
before the mind’s eye, with
“Many a
place
That’s in
sad case
Where joy was wont afore, oh!”
as Minstrel Burne sings. These voices, faces,
landscapes mingle with the music and blur the pictures
of the poet who enchanted for us certain hours passed
in the paradise of youth. A reviewer who finds
himself in this case may as well frankly confess that
he can no more criticise Mr. Morris dispassionately
than he could criticise his old self and the friends
whom he shall never see again, till he meets them
“Beyond the sphere of time,
And sin, and grief’s
control,
Serene in changeless prime
Of body and of
soul.”
To write of one’s own “adventures among
books” may be to provide anecdotage more or
less trivial, more or less futile, but, at least, it
is to write historically. We know how books have
affected, and do affect ourselves, our bundle of prejudices
and tastes, of old impressions and revived sensations.
To judge books dispassionately and impersonally, is
much more difficult—indeed, it is practically
impossible, for our own tastes and experiences must,
more or less, modify our verdicts, do what we will.
However, the effort must be made, for to say that,
at a certain age, in certain circumstances, an individual
took much pleasure in “The Life and Death of
Jason,” the present of a college friend, is certainly
not to criticise “The Life and Death of Jason.”
Copyrights
Adventures Among Books from Project Gutenberg. Public domain.