On War — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 362 pages of information about On War — Volume 1.

On War — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 362 pages of information about On War — Volume 1.

The inventions have been from the first weapons and equipments for the individual combatants.  These have to be provided and the use of them learnt before the War begins.  They are made suitable to the nature of the fighting, consequently are ruled by it; but plainly the activity engaged in these appliances is a different thing from the fight itself; it is only the preparation for the combat, not the conduct of the same.  That arming and equipping are not essential to the conception of fighting is plain, because mere wrestling is also fighting.

Fighting has determined everything appertaining to arms and equipment, and these in turn modify the mode of fighting; there is, therefore, a reciprocity of action between the two.

Nevertheless, the fight itself remains still an entirely special activity, more particularly because it moves in an entirely special element, namely, in the element of danger.

If, then, there is anywhere a necessity for drawing a line between two different activities, it is here; and in order to see clearly the importance of this idea, we need only just to call to mind how often eminent personal fitness in one field has turned out nothing but the most useless pedantry in the other.

It is also in no way difficult to separate in idea the one activity from the other, if we look at the combatant forces fully armed and equipped as a given means, the profitable use of which requires nothing more than a knowledge of their general results.

The Art of War is therefore, in its proper sense, the art of making use of the given means in fighting, and we cannot give it a better name than the “Conduct of War.”  On the other hand, in a wider sense all activities which have their existence on account of War, therefore the whole creation of troops, that is levying them, arming, equipping, and exercising them, belong to the Art of War.

To make a sound theory it is most essential to separate these two activities, for it is easy to see that if every act of War is to begin with the preparation of military forces, and to presuppose forces so organised as a primary condition for conducting War, that theory will only be applicable in the few cases to which the force available happens to be exactly suited.  If, on the other hand, we wish to have a theory which shall suit most cases, and will not be wholly useless in any case, it must be founded on those means which are in most general use, and in respect to these only on the actual results springing from them.

The conduct of War is, therefore, the formation and conduct of the fighting.  If this fighting was a single act, there would be no necessity for any further subdivision, but the fight is composed of a greater or less number of single acts, complete in themselves, which we call combats, as we have shown in the first chapter of the first book, and which form new units.  From this arises the totally different activities, that of the formation and conduct of these single combats in themselves, and the combination of them with one another, with a view to the ultimate object of the War.  The first is called tactics, the other strategy.

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On War — Volume 1 from Project Gutenberg. Public domain.