On War — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 362 pages of information about On War — Volume 1.

On War — Volume 1 eBook

This eBook from the Gutenberg Project consists of approximately 362 pages of information about On War — Volume 1.

CHAPTER VII.  FRICTION IN WAR

As long as we have no personal knowledge of War, we cannot conceive where those difficulties lie of which so much is said, and what that genius and those extraordinary mental powers required in a General have really to do.  All appears so simple, all the requisite branches of knowledge appear so plain, all the combinations so unimportant, that in comparison with them the easiest problem in higher mathematics impresses us with a certain scientific dignity.  But if we have seen War, all becomes intelligible; and still, after all, it is extremely difficult to describe what it is which brings about this change, to specify this invisible and completely efficient factor.

Everything is very simple in War, but the simplest thing is difficult.  These difficulties accumulate and produce a friction which no man can imagine exactly who has not seen War, Suppose now a traveller, who towards evening expects to accomplish the two stages at the end of his day’s journey, four or five leagues, with post-horses, on the high road—­it is nothing.  He arrives now at the last station but one, finds no horses, or very bad ones; then a hilly country, bad roads; it is a dark night, and he is glad when, after a great deal of trouble, he reaches the next station, and finds there some miserable accommodation.  So in War, through the influence of an infinity of petty circumstances, which cannot properly be described on paper, things disappoint us, and we fall short of the mark.  A powerful iron will overcomes this friction; it crushes the obstacles, but certainly the machine along with them.  We shall often meet with this result.  Like an obelisk towards which the principal streets of a town converge, the strong will of a proud spirit stands prominent and commanding in the middle of the Art of War.

Friction is the only conception which in a general way corresponds to that which distinguishes real War from War on paper.  The military machine, the Army and all belonging to it, is in fact simple, and appears on this account easy to manage.  But let us reflect that no part of it is in one piece, that it is composed entirely of individuals, each of which keeps up its own friction in all directions.  Theoretically all sounds very well:  the commander of a battalion is responsible for the execution of the order given; and as the battalion by its discipline is glued together into one piece, and the chief must be a man of acknowledged zeal, the beam turns on an iron pin with little friction.  But it is not so in reality, and all that is exaggerated and false in such a conception manifests itself at once in War.  The battalion always remains composed of a number of men, of whom, if chance so wills, the most insignificant is able to occasion delay and even irregularity.  The danger which War brings with it, the bodily exertions which it requires, augment this evil so much that they may be regarded as the greatest causes of it.

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On War — Volume 1 from Project Gutenberg. Public domain.