The Man in Lower Ten eBook

Mary Roberts Rinehart
This eBook from the Gutenberg Project consists of approximately 250 pages of information about The Man in Lower Ten.

The Man in Lower Ten eBook

Mary Roberts Rinehart
This eBook from the Gutenberg Project consists of approximately 250 pages of information about The Man in Lower Ten.

I grew more and more wide-awake.  At Cresson I got up on my elbow and blinked out at the station lights.  Some passengers boarded the train there and I heard a woman’s low tones, a southern voice, rich and full.  Then quiet again.  Every nerve was tense:  time passed, perhaps ten minutes, possibly half an hour.  Then, without the slightest warning, as the train rounded a curve, a heavy body was thrown into my berth.  The incident, trivial as it seemed, was startling in its suddenness, for although my ears were painfully strained and awake, I had heard no step outside.  The next instant the curtain hung limp again; still without a sound, my disturber had slipped away into the gloom and darkness.  In a frenzy of wakefulness, I sat up, drew on a pair of slippers and fumbled for my bath-robe.

From a berth across, probably lower ten, came that particular aggravating snore which begins lightly, delicately, faintly soprano, goes down the scale a note with every breath, and, after keeping the listener tense with expectation, ends with an explosion that tears the very air.  I was more and more irritable:  I sat on the edge of the berth and hoped the snorer would choke to death.  He had considerable vitality, however; he withstood one shock after another and survived to start again with new vigor.  In desperation I found some cigarettes and one match, piled my blankets over my grip, and drawing the curtains together as though the berth were still occupied, I made my way to the vestibule of the car.

I was not clad for dress parade.  Is it because the male is so restricted to gloom in his every-day attire that he blossoms into gaudy colors in his pajamas and dressing-gowns?  It would take a Turk to feel at home before an audience in my red and yellow bathrobe, a Christmas remembrance from Mrs. Klopton, with slippers to match.

So, naturally, when I saw a feminine figure on the platform, my first instinct was to dodge.  The woman, however, was quicker than I; she gave me a startled glance, wheeled and disappeared, with a flash of two bronze-colored braids, into the next car.

Cigarette box in one hand, match in the other, I leaned against the uncertain frame of the door and gazed after her vanished figure.  The mountain air flapped my bath-robe around my bare ankles, my one match burned to the end and went out, and still I stared.  For I had seen on her expressive face a haunting look that was horror, nothing less.  Heaven knows, I am not psychological.  Emotions have to be written large before I can read them.  But a woman in trouble always appeals to me, and this woman was more than that.  She was in deadly fear.

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Project Gutenberg
The Man in Lower Ten from Project Gutenberg. Public domain.