Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).

Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).
of the work and the distribution of the parts were remarkable.  It was divided into sixteen principal regions, each containing a number of spacious buildings, which taken together, might be defined an assemblage of palaces.  There were also as many temples as there were gods in Egypt, the number of which was prodigious, besides various other sacred edifices, and four lofty pyramids at the angles of the walls.  The entrance was by vast halls, followed by saloons, which conducted to grand porticos, the ascent to which was by a flight of ninety steps.  The interior was decorated with columns of porphyry and colossal statues of Egyptian gods.  The whole was surrounded by a wall, but the passages were so intricate that no stranger could find the way without a guide.  The substructions of this famous labyrinth still exist, and Milizia says, “as they were not arched, it is wonderful that they should have been so long preserved, with so many stupendous edifices above them.”  The Cretan labyrinth was built by Daedalus on the model of the Egyptian, but it was only a hundredth part the size; yet, according to Diodorus Siculus, it was a spacious and magnificent edifice, divided into a great number of apartments, and surrounded entirely by a wall.  What would the ancients say, could they see our modern imitations of their labyrinths?

THE CATACOMBS OF EGYPT.

There are numerous catacombs in Egypt, the principal of which are at Alexandria; at Sakkara, near Cairo; at Siut, near the ancient Lycopolis or City of the Wolf; at Gebel Silsilis, on the banks of the Nile between Etfu and Ombos, the site of one of the principal quarries of ancient Egypt; and at Thebes.  Many of these are of vast extent, and were doubtless formed by quarrying the rocks and mountains for building materials.  They consist of grottos, galleries, and chambers, penetrating often to a considerable distance, the superincumbent mass being supported by huge pillars of rock; or the galleries running parallel, with masses of solid rock intervening for supports.  Many of these chambers and grottos contained multitudes of mummies, probably the bodies of the less wealthy; many were evidently private family tombs of wealthy individuals, some of which are of great magnificence, adorned with sculptures, paintings, and hieroglyphics.  The Arabs for centuries have been plundering these abodes of the dead, and great numbers of the mummies have been destroyed for fuel, and for the linen, rosin, and asphaltum they contain, which is sold to advantage at Cairo.  An immense number of them have been found in the plain of Sakkara, near Memphis, consisting not only of human bodies, but of various sacred animals, as bulls, crocodiles, apes, ibises, fish, &c.; hence it is called The Plain of the Mummies.  Numerous caves or grottos, with contents of the same kind, are found in the two mountainous ridges which run nearly parallel with the Nile, from Cairo to Syene.  Many of these tombs and mummies are two or three thousand years old, and some of them perhaps older.

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Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) from Project Gutenberg. Public domain.