Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).

Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).

The temple of Luxor is about one and a fourth mile above that of Carnac, and though it is of smaller dimensions it is in a superior style of architecture, and in more complete preservation.  The entrance is thought to surpass everything else that Egypt presents.  In front are the two finest obelisks in the world, formed of rose-colored granite, and rising, as Denon supposes, after allowing for the portion buried in the ground, to the height of one hundred feet.  But the objects which most attract attention, are the sculptures which cover the east wing of the northern front.  They represent on a grand scale, a victory gained by one of the ancient kings of Egypt over their Asiatic enemies, consisting of multitudes of figures, horses, and chariots, executed in the best style of Egyptian art; the number of human figures introduced exceeds fifteen hundred, five hundred of which are on foot, and the rest in chariots.

THE STATUES OF MEMNON.

There were many colossal statues of Memnon in Egypt, but the most remarkable were the two in the Memnonium or palace of Memnon, at Thebes.  The largest is of rose-colored granite, and stood in the centre of the principal court; its height was sixty-four feet, and its remains are scattered forty feet around it.  Rigaud, one of the French savans, says, “the excavations are still visible where the wedges were placed which divided the monument when it was thrown down by Cambyses.”  The trunk is broke off at the waist, and the upper part lies prostrate on the back; it measures six feet ten inches over the front of the head, and sixty-two feet round the shoulders.  At the entrance of the gate which leads from the second court to the palace, is the famous colossal sounding statue, which, according to Herodotus, Strabo, and Pausanias, uttered a joyful sound when the sun rose, and a mournful one when it set.  It is also related that it shed tears, and gave out oracular responses in seven verses, and that these sounds were heard till the fourth century after Christ.  These phenomena, attested by many ancient and modern writers, are variously accounted for by the learned, as priestcraft, peculiar construction, escape of rarified air, &c.  This statue is in excellent preservation.  The head is of rose-colored granite, and the rest of a kind of black stone.  Two other colossal statues, about fifty feet high, are seated on the plain.

HELIOPOLIS.

The name of Heliopolis, or City of the Sun, was given by the Greeks to the Egyptian City of On.  It was situated a little to the north of Memphis, was one of the largest cities of Egypt during the reign of the Pharaohs, and so adorned with statues as to be esteemed one of the first sacred cities in the kingdom.  The temple dedicated to Re, was a magnificent building, having in front an avenue of sphynxes, celebrated in history, and adorned with several obelisks, raised

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Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) from Project Gutenberg. Public domain.