Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) eBook

This eBook from the Gutenberg Project consists of approximately 298 pages of information about Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3).


The origin of Painting in Greece was unknown to Pliny, to whom we are chiefly indebted for the few fragments of the biography of Greek artists; he could only obtain his information from Greek writers, of whom he complains that they have not been very attentive to their accustomed accuracy.  It is certain, however, that the arts were practiced in Egypt and in the East, many ages before they were known in Greece, and it is the common opinion that they were introduced into that country from Egypt and Asia, through the channel of the Phoenecian traders.  It has been a matter of admiration that the Greeks, in the course of three or four centuries, should have attained such perfection in every species of art that ennobles the human mind, as oratory, poetry, music, painting, sculpture, and architecture.  Two things explain the cause—­freedom of action, and certainty of reward.  This is exemplified in the whole history of the arts and sciences.  The ancient eastern nations, among whom the freedom of thought and action was forbidden, and every man obliged to follow the trade of his caste, never made any progress; nor will the moderns progress in those countries till caste is done away, and every man allowed to follow the inclinations of his genius.

The Greeks were favored with a climate the most congenial for the perfect development of the mental and physical powers, and beauty of form.  Every man was at liberty freely to follow his favorite pursuits.  They rewarded all who excelled in anything that was useful or beautiful, and that with a lavish hand.  The prices they paid their great artists were truly astonishing; in comparison to which, the prices paid to the greatest artists of modern times are small.  Nor was this so great an incentive as the admiration and the caresses they received.  The man of genius was sure of immortality and wealth.  Their academic groves and their games were the admiration and resort of all the surrounding countries.  They decreed statues to their great men who deserved well of their country.  To other powerful incentives, the Greek artists had the advantage of the best models before them, in their gymnastic exercises and public games, where the youth contended for the prize quite naked.  The Greeks esteemed natural qualities so highly that they decreed the first rewards to those who distinguished themselves in feats of agility and strength.  Statues were often raised to wrestlers.  Not only the first youth of Greece, but the sons of kings and princes sought renown in the public games and gymnastic exercises.  Chrysippus and Cleanthus distinguished themselves in these games before they were known as philosophers.  Plato appeared as a wrestler both at the Isthmian and Pythian games; and Pythagoras carried off the prize at Elis.  The passion which inspired them was glory—­the ambition of having statues erected to their memory, in the most sacred place in Greece, to be admired by the whole people.

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Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) from Project Gutenberg. Public domain.
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