Tales from the Hindu Dramatists eBook

This eBook from the Gutenberg Project consists of approximately 107 pages of information about Tales from the Hindu Dramatists.

Then the king perceives, in clear vision acquired by the blessings of Virtue, that lord Kausika, in order to try his virtue, deprived him of his kingdom and placed the government in the hands of his own minister.  The Chandal, who is his master, is not a real character but virtue incarnate.

The Brahmin and his wife, who were the master and mistress of the queen, were not ordinary persons.  The Brahmin was Siva, the god of gods, incarnate.  The Brahmani was the goddess Durga incarnate.  By order of virtue, the king and queen annoint, on the banks of the Ganges, Rohitashya as king-associate or Yuvaraja, and return to the capital, amidst the wild rejoicings of the subjects.

After a short stay there, the happy couple repair to the heaven of Brahma.

MADHURANIRUDDHA.

The secret loves of Usha, the daughter of the Asura Bana, and Aniruddha, the grandson of Krishna, are intense.  The sage Nareda apprises Krishna and Balarama, that Indra is again in dread of the demons, and especially of Bana, who has acquired the particular favour of Siva, and who is therefore not to be easily subdued.  The conference ends by Nareda’s going to Sonapur, the capital of the demon, to endeavour to impair the friendship between Bana and Siva, whilst Krishna and his brother await the result.

The excessive arrogance of Bana, in his anxiety to match himself with Vishnu, has offended the latter, who has accordingly departed for Kailas, after announcing that Bana’s anxiety shall be alleviated whenever his banner falls.  Parvati has also gone to Kailas, after announcing to Usha that she will shortly behold her lover.  Usha is impatient for the boon conferred by the goddess.

Aniruddha is violently enamoured of a damsel he has seen in his sleep, and despairs of discovering who she is, when Nareda comes opportunely to his aid, and informs him that she is the daughter of Bana; on which Aniruddha determines to go to his capital, first propitiating Jwalamukhi by penance, in order to obtain the means of entering a city surrounded by a wall of perpetual flame.  The goddess is the form of Durga, worshipped wherever a subterraneous flame breaks forth, or wherever jets of carburetted hydrogen gas are emitted from the soil.

Bana’s banner has fallen.  His minister and wife endeavour to prevail on him to propitiate Siva, in order to avert the evil omen, but he refuses.

Bringi, a servant of Durga, precedes Aniruddha to prepare the goddess to grant his request.  As he proceeds in his aerial car, he notices the countries of Orissa, Bengal, Behar, Oude or Ayodhya, Prayaga, Hastinapur or Delhi and Kurujangal or Tahneser, whence he comes to Jwalamukhi.

Aniruddha repairs to the shrine of the goddess round which goblins sport, and upon the point of offering himself as a sacrifice, is prevented by the goddess and receives from her the power of travelling through the air.

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Tales from the Hindu Dramatists from Project Gutenberg. Public domain.
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