Wine, Women, and Song eBook

This eBook from the Gutenberg Project consists of approximately 150 pages of information about Wine, Women, and Song.

Wine, Women, and Song eBook

This eBook from the Gutenberg Project consists of approximately 150 pages of information about Wine, Women, and Song.

Hide, O hide those hills of snow,
Twinned upon thy breast that rise,
Where the virgin fountains flow
With fresh milk of Paradise! 
Thy bare bosom breathes of myrrh,
From thy whole self pleasures stir,
Pleasures stir.

Hide, O hide those paps that tire
Sense and spirit with excess
Of snow-whiteness and desire
Of thy breast’s deliciousness! 
See’st thou, cruel, how I swoon? 
Leav’st thou me half lost so soon? 
Lost so soon?

In rendering this lyric to Lydia, I have restored the fifth stanza, only one line of which,

“Quid mihi sugis vivum sanguinem,”

remains in the original.  This I did because it seemed necessary to effect the transition from the stanzas beginning Pande, puella, pande, to those beginning Conde papillas, conde.

Among these more direct outpourings of personal passion, place may be found for a delicate little Poem of Privacy, which forms part of the Carmina Burana.  Unfortunately, the text of this slight piece is very defective in the MS., and has had to be conjecturally restored in several places.

A POEM OF PRIVACY.

No. 33.

    When a young man, passion-laden,
    In a chamber meets a maiden,
      Then felicitous communion,
    By love’s strain between the twain,
      Grows from forth their union;
    For the game, it hath no name,
    Of lips, arms, and hidden charms.

Nor can I here forbear from inserting another Poem of Privacy, bolder in its openness of speech, more glowing in its warmth of colouring.  If excuse should be pleaded or the translation and reproduction of this distinctly Pagan ditty, it must be found in the singularity of its motive, which is as unmedieval as could be desired by the bitterest detractor of medieval sentiment.  We seem, while reading it, to have before our eyes the Venetian picture of a Venus, while the almost prosaic particularity of description illustrates what I have said above about the detailed realism of the Goliardic style.

FLORA.

No. 34.

    Rudely blows the winter blast,
    Withered leaves are falling fast,
    Cold hath hushed the birds at last. 
      While the heavens were warm and glowing,
        Nature’s offspring loved in May;
      But man’s heart no debt is owing
        To such change of month or day
        As the dumb brute-beasts obey. 
    Oh, the joys of this possessing! 
    How unspeakable the blessing
        That my Flora yields to-day!

    Labour long I did not rue,
    Ere I won my wages due,
    And the prize I played for drew. 
      Flora with her brows of laughter,
        Gazing on me, breathing bliss,
      Draws my yearning spirit after,
        Sucks my soul forth in a kiss: 
        Where’s the pastime matched with this? 
    Oh, the joys of this possessing! 
    How unspeakable the blessing
        Of my Flora’s loveliness!

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Wine, Women, and Song from Project Gutenberg. Public domain.