In the year 1819, at a college breakfast, I met a
Mr. Prosser—a thin, grave, but rather chatty
old gentleman, with very white hair drawn back into
a pigtail—and he told us all, with a concise
particularity, a story of his cousin, James Prosser,
who, when an infant, had slept for some time in what
his mother said was a haunted nursery in an old house
near Chapelizod, and who, whenever he was ill, over-fatigued,
or in anywise feverish, suffered all through his life
as he had done from a time he could scarce remember,
from a vision of a certain gentleman, fat and pale,
every curl of whose wig, every button and fold of whose
laced clothes, and every feature and line of whose
sensual, benignant, and unwholesome face, was as minutely
engraven upon his memory as the dress and lineaments
of his own grandfather’s portrait, which hung
before him every day at breakfast, dinner, and supper.
Mr. Prosser mentioned this as an instance of a curiously
monotonous, individualised, and persistent nightmare,
and hinted the extreme horror and anxiety with which
his cousin, of whom he spoke in the past tense as
‘poor Jemmie,’ was at any time induced
to mention it.
I hope the reader will pardon me for loitering so
long in the Tiled House, but this sort of lore has
always had a charm for me; and people, you know, especially
old people, will talk of what most interests themselves,
too often forgetting that others may have had more
than enough of it.
CHAPTER XIII.
IN WHICH THE RECTOR VISITS THE TILED HOUSE, AND DOCTOR
TOOLE LOOKS AFTER THE BRASS CASTLE.
Next morning Toole, sauntering along the low road
towards the mills, as usual bawling at his dogs, who
scampered and nuzzled hither and thither, round and
about him, saw two hackney coaches and a ‘noddy’
arrive at ‘the Brass Castle,’ a tall old
house by the river, with a little bit of a flower-garden,
half-a-dozen poplars, and a few old privet hedges about
it; and being aware that it had been taken the day
before for Mr. Dangerfield, for three months, he slackened
his pace, in the hope of seeing that personage, of
whom he had heard great things, take seisin of his
tabernacle. He was disappointed, however; the
great man had not arrived, only a sour-faced, fussy
old lady, Mrs. Jukes, his housekeeper and a servant-wench
and a great lot of boxes and trunks; and so leaving
the coachman grumbling and swearing at the lady, who,
bitter, shrill, and voluble, was manifestly well able
to fight her own battles, he strolled back to the
Phoenix, where a new evidence of the impending arrival
met his view in an English groom with three horses,
which the hostler and he were leading into the inn-yard.
There were others, too, agreeably fidgeted about this
arrival. The fair Miss Magnolia, for instance,
and her enterprising parent, the agreeable Mrs. Macnamara:
who both as they gaped and peeped from the windows,
bouncing up from the breakfast-table every minute,
to the silent distress of quiet little Major O’Neill,
painted all sorts of handsome portraits, and agreeable
landscapes, and cloud-clapped castles, each for her
private contemplation, on the spreading canvas of her
hopes.
Copyrights
The House by the Church-Yard from Project Gutenberg. Public domain.