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In this Change the 4th. Bell must first hunt up into the Sevenths place, and then the 4 and 8 always dodge behind throughout the Peal, unless when obstructed by the Treble. The Bell that moves up into the 6th. place, when the Treble moves thence down, lies still there, till displaced by the Treble; during which time the two hind Bells dodge, and the five first go a perfect Hunting-course: And when likewise the Treble moveth out of the 5ths. place the five first Bells go a Hunting-course, till it comes down there again: By this method it will go 80 changes, and by Bobs 160, 240, or 480. The Bob is made as in the foregoing Changes.
And here I thought to make an end of the Art of Ringing, but Cynthius aurem vellit, the young Practitioner, whose only Information is hereby aimed at, plucks me by the Sleeve, and tells me in the Ear, that tho’ Peals upon six, as Triples and Doubles, &c. make excellent Musick upon Eight Bells, 4 8, 6 8, 4 1, or 1 8 lying behind: Or, Triples and Doubles upon the six middle Bells, the Tenor lying behind; yet for him who is not arrived to such a perfection of Skill, as to Ring these compleat Peals, the most proper and easy for him are Set-changes, which are founded on these Grounds.
First, Placing the Bells Fifths; thus the 4 must hunt up behind the 7, the 3 behind the 6, and the 2 behind the 5; or the one may Hunt down under the other, as the 5 under the 2, the 6 under 3, and 7 under 4: Or if you will, first let a Single, next a Double, and then a Triple Change be made on the middle Bells, all coming to the same effect; for then the Changes will lye Fifths thus: 1 5, 2 6, 3 7, 4 8. In the Peal four Concords are to be regarded, The first 1 5, the Second 2 6, the third 3 7, and the fourth 4 8.
These four Concords may go the Methods of any Changes upon four Bells; 1, 5 being taken for the Treble; 2, 6 for the Second; 3, 6 for the Third; and 4, 8 for the Fourth; and the Concords may Change places with one another, as you lift. In which this Observation is highly necessary, that the two Notes of every Concord must constantly attend each other in their Motion; that is, whenever one of the two Notes moves, the other must follow it.
Or Secondly, Place the Bells Thirds; thus: The 6 4 and 2 must hunt up, or else the 3 5 7 down; or otherwise on the middlemost Bells let a Triple, Double or Single Change be made, are to one effect; and then the Bells will lye Thirds thus, 1 3. 5 7. 2 4. 6 8. Herein are four Concords observable; as in the former Peal, viz. 1 3. 5 7. 2 4. 6 8. These Concords may go the Methods of any Changes upon Four Bells, 1, 3 being taking for the Treble, 5, 7 for the Second; 2, 4 for the Third; and 6, 8 for the Fourth; moving in the same manner; as before shewed.