The Germ eBook

This eBook from the Gutenberg Project consists of approximately 346 pages of information about The Germ.

The Germ eBook

This eBook from the Gutenberg Project consists of approximately 346 pages of information about The Germ.

Macbeth {9}

{9} It is proper to state that this article was written, and seen, exactly as it at present stands, by several literary friends of the writer, a considerable time before the appearance, in the “Westminster Review,” of a Paper advocating a view of “Macbeth,” similar to that which is here taken.  But although the publication of the particular view was thus anticipated, nearly all the most forcible arguments for maintaining it were omitted; and the subject, mixed up, as it was, with lengthy disquisitions upon very minor topics of Shaksperian acting, &c. made no very general impression at the time.

The purpose of the following Essay is to demonstrate the existence of a very important error in the hitherto universally adopted interpretation of the character of Macbeth.  We shall prove that a design of illegitimately obtaining the crown of Scotland had been conceived by Macbeth, and that it had been communicated by him to his wife, prior to his first meeting with the witches, who are commonly supposed to have suggested that design.

Most persons when they commence the study of the great Shaksperian dramas, already entertain concerning them a set of traditional notions, generally originated by the representations, or misrepresentations, of the theatre, afterwards to become strengthened or confirmed by desultory reading and corroborative criticism.  With this class of persons it was our misfortune to rank, when we first entered upon the study of “Macbeth,” fully believing that, in the character of the hero, Shakspere intended to represent a man whose general rectitude of soul is drawn on to ruin by the temptations of supernatural agents; temptations which have the effect of eliciting his latent ambition, and of misdirecting that ambition when it has been thus elicited.

As long as we continued under this idea, the impression produced upon us by “Macbeth” came far short of that sense of complete satisfaction which we were accustomed to receive from every other of the higher works of Shakspere.  But, upon deeper study, the view now proposed suggested itself, and seemed to render every thing as it should be.  We say that this view suggested itself, because it did not arise directly from any one of the numerous passages which can be quoted in its support; it originated in a general feeling of what seemed to be wanting to the completion of the entire effect; a circumstance which has been stated at length from the persuasion that it is of itself no mean presumption in favour of the opinion which it is the aim of this paper to establish.

Let us proceed to examine the validity of a position, which, if it deserves any attention at all, may certainly claim an investigation more than usually minute.  We shall commence by giving an analysis of the first Act, wherein will be considered, successively, every passage which may appear to bear either way upon the point in question.

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