Church cantatas, 284

Cicero, 309

Cincinnati, choirs in, 264

Cinti-Damoreau, 241

Clarinet, 47, 74, 78, 82, 103 et seq., 151

Classical concerts, 122 et seq.

Classical music, 36, 64, 122 et seq.

Clavichord, 168, 181

Clavier, 171, 173

Clementi, 185, 195

Cock, song of the, 51, 53, 54

Coleridge, 11, 144

Coletti, 242

Comic opera, 224

Composers, how they hear music, 40

Concerto, 128, 144 et seq.

Conductor, 114 et seq.

Content of music, 36 et seq.

Contra-bass trombone, 81, 82

Contra-bass tuba, 81, 82

Co-ordination of tones, 17

Coranto, Corrente, 173, 176

Cornelius, “Barbier von Bagdad,” 236

Cornet, 73, 82, 108

Corno di bassetto, 81, 82

Corsi, 242

Couperin, 168

Courante, 173, 176

Covent Garden Theatre, London, 224, 226

Cowen, “Welsh” and “Scandinavian” symphonies, 132

Cracovienne, 193

Creole tune analyzed, 23, 24

Critics and criticism, 13, 297 et seq.

Crotch, Dr., 322

Cuckoo, 51, 52, 53

Cymbals, 74, 82

Czardas, 201

Czerny, 186

Dactylic metre, 31

Dance, the ancient, 43, 212

Dannreuther, Edward, 129, 144, 187

Depth, musical delineation of, 59, 60

De Reszke, Edouard, 248

De Reszke, Jean, 247

Descriptive music, 51 et seq.

Design and form, 16

De Stael, Madame, 210

D’Israeli, 315

Distance, musical delineation of, 60

Dithyramb, 212, 213

“Divisions,” 265

Doles, Cantor, 292

Donizetti, 203, 204, 242;
  “Lucia,” 203, 204

Double-bass, 74, 78, 82, 94

Double-bassoon, 103

Dragonetti, 94

Dramatic ballads, 290

Dramatic orchestras, 81, 82

Dramma per musica, 227, 249

Drummers, 113

Drums, 73, 74, 82, 110 et seq.

Duality of music, 15

“Dump” and Dumka, 151

Durchfuehrung, 131

Dvorak, symphonies, “From the New World,” 132, 138;
  in G major, 136

Eames, Emma, 247

Edwards, G. Sutherland, 12

Elements of music, 15, 19

Emotionality in music, 43

English horn, 82, 99, 100

English opera, 223

Ernst’s violin, 320

Esterhazy, Prince, 46

Euler, acoustician, 317

Expression, words of, 43

Familiar music best liked, 21