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This eBook from the Gutenberg Project consists of approximately 224 pages of information about Great Violinists And Pianists.

In the spring of 1837 Gottschalk found himself in Havana, whither he had gone to make the beginning of a musical tour through the West Indies.  His first concert was given at the Tacon Theatre, which Mr. Maretzek, who was giving operatic representations then in Havana, yielded to him for the occasion.  The Cubans gave the pianist a tropical warmth of welcome, and Gott-schalk’s letters from the old Spanish city are full of admiration for the climate, the life, and the people, with whom there was something strongly sympathetic in his own nature.  The artist had not designed to protract his musical wanderings in the beautiful island of the Antilles for any considerable period, but his success was great, and the new experiences admirably suited his dreaming, sensuous, pleasure-loving temperament.  Everywhere the advent of Gottschalk at a town was made the occasion of a festival, and life seemed to be one continued gala-day with him.

V.

In the early months of 1860 the young pianist, Arthur Napoleon, joined Gottschalk at Havana, and the two gave concerts throughout the West Indies, which were highly successful.  The early summer had been designed for a tour through Central America and Venezuela, but a severe attack of illness prostrated Gottschalk, and he was not able to sail before August for his new field of musical conquest.  Our artist did not return to New York till 1862, after an absence of five years, though his original plan had only contemplated a tour of two years.  It must not be supposed that Gottschalk devoted his time continually to concert performances and composition, though he by no means neglected the requirements of musical labor.  As he himself confesses, the balmy climate, the glorious landscapes, the languid dolce far niente, which tended to enervate all that came under their magic spell, wrought on his susceptible temperament with peculiar effect.  A quotation from an article written by Gottschalk, and published in the “Atlantic Monthly,” entitled “Notes of a Pianist,” will furnish the reader a graphic idea of the influence of tropical life on such an imaginative and voluptuous character, passionately fond of nature and outdoor life:  “Thus, in succession, I have visited all the Antilles—­Spanish, French, English, Dutch, Swedish, and Danish; the Guianas, and the coasts of Para.  At times, having become the idol of some obscure pueblo, whose untutored ears I had charmed with its own simple ballads, I would pitch my tent for five, six, eight months, deferring my departure from day to day, until finally I began seriously to entertain the idea of remaining there for evermore.  Abandoning myself to such influences, I lived without care, as the bird sings, as the flower expands, as the brook flows, oblivious of the past, reckless of the future, and sowed both my heart and my purse with the ardor of a husbandman who hopes to reap a hundred ears for every grain he confides to the earth. 

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