Minor Items.—­The rule that the owner of the carriage occupies the right-hand seat even when accompanied by a guest, is almost universally observed.  The only exception seems to be when the guest is a person of unusual distinction.

To place one’s carriage at the disposal of a friend is a great courtesy, and should never be abused by the recipient.  In case of accident the occupant should pay the bills for repairs, or at least urge that she be allowed to do so.

If a lady invites a friend to pay calls with her, dropping her companion to call on some acquaintance while she goes on to see a friend of her own, the lady thus favored must not keep her waiting on her return, more than the few moments necessary to make her adieux.

CIVILITY IN PUBLIC.

One is shocked, often, at the prevalence of rudeness in human intercourse.  People who are courteous in the drawing-room are sometimes horribly uncivil in public.  They crowd and jostle and elbow in thc endeavor to secure better places for themselves, violating every canon of politeness.  Women have fainted, gowns have been ruined and valuable articles lost in “crushes” incident to gatherings in “our best society.”

Many people carry an umbrella with utter disregard of the eyes and headgear of the passing crowd.  Closed, it is tucked under the arm, the ferrule projecting behind on a level with the face of a pedestrian.  They go through a heavy door, pushing it open for themselves and letting it swing back against the next comer.  They step in advance of those who have prior claim to be shown to seats, and accept civilities and service without so much as a “Thank you.”  They endeavor to obtain “something for nothing” by piling their luggage into seats they have not paid for on the train; on the boat they fortify themselves in a circle of chairs that are “engaged”—­generally to hold their wraps and lunch-boxes, while others look in vain for seats.

[Manners and social customs 779]

Rude Tourists.—­Tourists have a reputation for a disregard of the rights of others, which makes them obnoxiously uncivil.  They enter a church where worshipers are kneeling and audibly criticise the architecture and decorations, or the faith to which it is consecrated.  They comment flippantly on great pictures in art galleries, and snicker over undraped statues, evincing the commonness of their minds and their lack of knowledge of art.  But one of the worst lapses of decorum is to sit in a theatre and anticipate the action of the play, or the development of a musical number, by explanations to a companion.  To do so may show familiarity with the play or the score, but it also shows a painful lack of good breeding, and a disregard of others’ rights to peaceful enjoyment.  On a par with this is the incivility of a person who undertakes to accompany a soloist with his (or her) own little pipe, to the annoyance of those who prefer to listen to professional rather than amateur efforts.