Assisi.
S. FRANCESCO, LOWER CHURCH,
CHAPEL OF THE MAGDALEN: Frescoes: Feast
in
the House of Simon (in great part); Raising of Lazarus;
“Noli
me
Tangere,” (in part); Magdalen and Donor (in part)(?).
(The
remaining
frescoes in this chapel are by assistants.) Before
1328.
UPPER CHURCH.
II-XIX of frescoes recounting the Life of St.
Francis
(with occasional aid of A). E.
WEST WALL.
Fresco: Madonna.
Boston (U. S. A.).
MRS. J. L. GARDNER: Presentation
of Christ in the Temple. L.
Florence.
ACADEMY, 103. Madonna
enthroned and Angels.
S. CROCE, BARDI CHAPEL.
Frescoes: Life of St. Francis, etc. (Little
more
than the compositions are now Giotto’s.) Not
earlier than
1317.
PERUZZI CHAPEL.
Frescoes: Lives of the Baptist and St. John the
Evangelist
(considerably repainted). L.
Munich.
983. Last Supper.
Padua.
ARENA CHAPEL. Frescoes:
Lives of Christ and His Mother; Last
Judgment;
Symbolical Figures. About 1305-6.
SACRISTY.
Painted Crucifix. About 1305-6.
Rome.
S. GIOVANNI LATERANO, PILLAR
R. AISLE. Fragment of Fresco: Boniface
VIII
proclaiming the Jubilee. 1300.
GIOTTO’S ASSISTANTS.
[An attempt to distinguish in the mass of work usually
ascribed to
Giotto the different artistic
personalities engaged as his most
immediate followers and assistants.]
A.
Assisi.
S. FRANCESCO, UPPER CHURCH.
XX-XXV and first of Frescoes recounting
the
Life of St. Francis, done perhaps under Giotto’s
directions.
XXVI-XXVIII
of same series done more upon his own
responsibility.
LOWER CHURCH,
CHAPEL OF THE SACRAMENT. Frescoes: Legend
of St.
Nicholas;
Christ with SS. Francis and Nicholas and Donors,
etc.
(?). Before 1316. Madonna between SS.
Francis and
Nicholas
(?). Before 1316.
Florence.
UFFIZI, 20. Altarpiece
of St. Cecily. E.
S. MARGHERITA A MONTICI (beyond
Torre del Gallo). Madonna. E.
Altarpiece
with St. Margaret. E.
S. MINIATO: Altarpiece
with S. Miniato. E.
B.
Assisi.
S. FRANCESCO, LOWER CHURCH,
OVER TOMB OF SAINT. Frescoes:
Allegories
of Poverty, Chastity, and Obedience, and Triumph of
St.
Francis. (The Francis between the two Angels in the
“Obedience”
and nearly all of the “Triumph” were executed
by
another
hand, probably C.)
R. TRANSEPT.
Frescoes: Bringing to Life of Child fallen from
Window;
Francis and a crowned Skeleton; Two Scenes (one on
either
side of arch leading to the Chapel of the Sacrament)
representing