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Guy de Maupassant

The leaves were sleeping motionless and in supreme peace, and in the distance they could hear the monotonous sound of the brooks as they flowed over the stones.  Amidst the dull noise of the insects, the nightingales were answering each other from tree to tree, and everything seemed alive with hidden life, and the sky was bright with such a shower of falling stars, that they might have been taken for white forms wandering among the dark trunks of the trees.

“Why have we come?” Margot asked, in a panting voice.  “Do you not want me any more, Tiennou?”

“Alas!  I dare not,” he replied.  “Listen:  you know that I was picked up on the high road, that I have nothing in the world except my two arms, and that Miller Fresquyl will never let his daughter marry a poor devil like me.”

She interrupted him with a painful gesture, and putting her lips to his, she said: 

“What does that matter?  I love you, and I want you ...  Take me ...”

And it was thus, on St. John’s night, Margot Fresquyl for the first time yielded to the mortal sin of love.

II

Did the miller guess his daughter’s secret, when he heard her singing merrily from dawn till dusk, and saw her sitting dreaming at her window instead of sewing as she was in the habit of doing?

Did he see it when she threw ardent kisses from the tips of her fingers to her lover at a distance?

However that might have been, he shut poor Margot in the mill as if it had been a prison.  No more love or pleasure, no more meetings at night at the verge of the wood.  When she chatted with the passers-by, when she tried furtively to open the gate of the enclosure and to make her escape, her father beat her as if she had been some disobedient animal, until she fell on her knees on the floor with clasped hands, scarcely able to move and her whole body covered with purple bruises.

She pretended to obey him, but she revolted in her whole being, and the string of bitter insults which he heaped upon her rang in her head.  With clenched hands, and a gesture of terrible hatred, she cursed him for standing in the way of her love, and at night, she rolled about on her bed, bit the sheets, moaned, stretched herself out for imaginary embraces, maddened by the sensual heat with which her body was still palpitating.  She called out Tiennou’s name aloud, she broke the peaceful stillness of the sleeping house with her heartrending sobs, and her dejected voice drowned the monotonous sound of the water that was dripping under the arch of the mill, between the immovable paddles of the wheel.

III

Then there came that terrible week in October when the unfortunate young fellows who had drawn bad numbers had to join their regiments.[11] Tiennou was one of them, and Margot was in despair to think that she should not see him for five interminable years, that they could not even, at that hour of sad farewells, be alone and exchange those consoling words which afterwards alleviate the pain of absence.

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The Works of Guy de Maupassant, Volume 3 (of 8) from Project Gutenberg. Public domain.

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