Punch, or the London Charivari, Volume 1, Complete eBook

This eBook from the Gutenberg Project consists of approximately 1,359 pages of information about Punch, or the London Charivari, Volume 1, Complete.
games were won.”  The bat is well drawn and coloured with much truth, and with that strict observance of harmony which is so characteristic of the excellences of art.  The artist has felicitously blended the tone and character of the bat with that of the young gentleman’s head.  As to the ball, we do not recollect ever to have seen one in the works of any of the old masters so true to nature.  In conclusion, the buttons on the jacket, and the button-holes, companions thereto, would baffle the criticism of the most hyper-fastidious stab-rag; and the shirt collar, with every other detail—­never forgetting the chiaro-scuro—­are equal to any of the preceding.

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CURIOUS COINCIDENCE.

We had prepared an announcement of certain theatricals extraordinary, with which we had intended to favour the public, when the following bill reached us.  We feel that its contents partake so strongly of what we had heretofore conceived the exclusive character of PUNCH, that to avoid the charge of plagiarism, as well as to prevent any confusion of interests, we have resolved to give insertion to both.

As PUNCH is above all petty rivalry, we accord our collaborateurs the preference.

Red Lion Court, Fleet Street.

SIR,—­Allow me to solicit your kindness so far, as to give publicity to this bill, by placing it in some conspicuous part of your Establishment.  The success of the undertaking will prove so advantageous to the public at large, that I fear not your compliance in so good a cause.

I am, Sir, your’s very obediently,
C. MITCHELL

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VIVANT REGINA ET PRINCEPS.

THEATRE ROYAL

ENGLISH OPERA HOUSE,

WELLINGTON-STREET NORTH, STRAND.

Conducted by the Council of the Dramatic Authors’ Theatre, established for the full encouragement of English Living Dramatists.

ADDRESS TO THE PUBLIC.

The generous National feelings of the British Public are proverbially interested in every endeavour to obtain “a Free Stage and Fair Play.”  The Council of the Dramatic Authors’ Theatre seek to achieve both, for every English Living Dramatist.  Compelled, by the state of the Law, to present on the Stage a high Tragic Composition IN AN IRREGULAR FORM (in effecting which, nevertheless, regard has been had to those elements of human nature, which must constitute the essential principles of every genuine Dramatic Production), they hope for such kind consideration as may be due to a work brought forward in obedient accordance with the regulations of Acts of Parliament, though labouring thereby under some consequent difficulties; the Law for the Small Theatres Royal, and the Law for the Large Theatres Royal, not being one and the same Law.  If, by these efforts, a beneficial alteration in such Law, which presses so fatally on Dramatic Genius, and which militates against the revival of the highest class of Drama, should be effected, they feel assured that the Public will Participate in their Triumph.

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Punch, or the London Charivari, Volume 1, Complete from Project Gutenberg. Public domain.
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