There are three sonatas composed by A. Quintin Buee.[113] No. 3 is “for two performers on one instrument.”  In the last movement, the first performer is “Le Francais,” and he rattles along with the popular tune “Ca ira,” while the second, “The Englishman,” steadily plays his national air, “Rule Britannia”; towards the close, fors fuat, “God save the King” and “Ca ira” are combined.

INDEX

ALBERTI, 109, 112.

Alberti Bass, 26, 30, 33 (note), 109, 110, 239.

Albrici V. 39,
  influence on Kuhnau, 42.

Ambros A.W.  Pasquini, 73.

Arbeau T. Orchesographie, 15 and 16.

Arne T.A. 222, 225; Sonatas:  226, 227.

BACH C.P.E. 9, 12, 29 and (note), 31, 32, 87, 219, 228;
  Sonatas:  “Frederick,” 25, 85-91,
    Wuertemberg, 85, 92, 93, 115,
    “Reprisen,” 85, 94-100,
    Toeplitz, 93 and 94,
    “Leichte,” 100, 161 (note),
    three-movement, 175,
    Leipzig Collections, 85, 101-7;
  Beethoven, 86, 105, 106,
    Dr. Buelow, 96-8,
    Fasch, 40,
    Haydn, 93, 114, 115, 125,
    Kuhnau, 22, 24,
    Marpurg’s Clavierstuecke, 91 and 92,
    Neefe, 161-3.

Bach J.C. 28 (note), 35, 227, 239;
  Sonatas:  107, 108, 236.

Bach J.C.F. 29, 35, 106.

Bach J.E. 26, 29.

Bach, J.S. 9, 14 (note), 229 (note);
  Organ Concerto, 76,
    sonata attributed to, 89 (note),
    Forty-eight Preludes and Fugues, 160 and 161,
    and fugue-form, 91;
  Beethoven, 182-5,
    Kuhnau, 20, 21, 48, 87,
    Rust, 152.

Bach W.F. 29;
  Sonatas:  26, 108.

Banchieri, 10;
  L’Organo suonarino (with sonata) 3-5.

Banister H.C.  Life of Macfarren, 140.

Bargiel, 235;
  Sonata:  236.

Barry C.A. 218.

Barthelemon Miss, 229 and (note).

Bassani G. 7, 223 and (note).

Becker D. 10;
  Sonatas:  43.

Becker C.F.  Hausmusik in Deutschlande, 49-50.

Beethoven L. v. 29, 31 and (note), 32, 33, 35, 45, 125, 194, 219;
  Reminiscences, 133-140, 167, 168,
    patrons and friends, 168-171,
    programme-music, 21,
    opus numbers, 112, 113,
    connection and number of movements, 106 and 107, 171,
    poetic basis, 178, 185-191,
    exposition section, 36,
    approach to recapitulation, 37,
    key of second subject, 177,
    the “repeat,” 178, 179,
    Codas and Introductions, 179-181,
    central thought, 182,
    disorganisation, 191;
  Sonatas:  (Op. 111), 57, 116, 174-6;
    table, 164-5;
    two-, 174-6,
    three-, 172-3,
    four-movement, 173-4,
    sonatinas, 238;
  Symphony in C, 102, 103,
    “Eroica,” 135,
    sketches, 171-2,
    theme of Op. 106, 210, 211;