Falling in Love eBook

This eBook from the Gutenberg Project consists of approximately 388 pages of information about Falling in Love.

Falling in Love eBook

This eBook from the Gutenberg Project consists of approximately 388 pages of information about Falling in Love.
the result and effect of certain fairly demonstrable concatenations of circumstance:  they are, in short, a natural product, not a lusus naturae.  You get them only under sundry relatively definite and settled conditions; and though it isn’t (unfortunately) quite true that the conditions will always infallibly bring forth the genius, it is quite true that the genius can never be brought forth at all without the conditions.  Do men gather grapes of thorns, or figs of thistles?  No more can you get a poet from a family of stockbrokers who have intermarried with the daughters of an eminent alderman, or make a philosopher out of a country grocer’s eldest son whose amiable mother had no soul above the half-pounds of tea and sugar.

In the first place, by way of clearing the decks for action, I am going to start even by getting rid once for all (so far as we are here concerned) of that famous but misleading old distinction between genius and talent.  It is really a distinction without a difference.  I suppose there is probably no subject under heaven on which so much high-flown stuff and nonsense has been talked and written as upon this well-known and much-debated hair-splitting discrimination.  It is just like that other great distinction between fancy and imagination, about which poets and essayists discoursed so fluently at the beginning of the present century, until at last one fine day the world at large woke up suddenly to the unpleasant consciousness that it had been wasting its time over a non-existent difference, and that fancy and imagination were after all absolutely identical.  Now, I won’t dogmatically assert that talent and genius are exactly one and the same thing; but I do assert that genius is simply talent raised to a slightly higher power; it differs from it not in kind but merely in degree:  it is talent at its best.  There is no drawing a hard-and-fast line of demarcation between the two.  You might just as well try to classify all mankind into tall men and short men, and then endeavour to prove that a real distinction existed in nature between your two artificial classes.  As a matter of fact, men differ in height and in ability by infinitesimal gradations:  some men are very short, others rather short, others medium-sized, others tall, and yet others again of portentous stature like Mr. Chang and Jacob Omnium.  So, too, some men are idiots, some are next door to a fool, some are stupid, some are worthy people, some are intelligent, some are clever, and some geniuses.  But genius is only the culminating point of ordinary cleverness, and if you were to try and draw up a list of all the real geniuses in the last hundred years, no two people could ever be found to agree among themselves as to which should be included and which excluded from the artificial catalogue.  I have heard Kingsley and Charles Lamb described as geniuses, and I have heard them both absolutely denied every sort of literary merit.  Carlyle thought Darwin a poor creature, and Comte regarded Hegel himself as an empty windbag.

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Falling in Love from Project Gutenberg. Public domain.