Of proportion in Measure. 55

How many sortes of measures we use in our vulgar. 58

Of the distinctions of mans voice and pauses allowed to our speech,
  & of the first pause called Ceszure. 61

Of proportion in concord called Rime. 63

Of accent, stirre and time, evidently perceyued in the distinction
  of mans voice, and in that which maketh the flowing of a Meetre. 64

Of your Cadences in which the meeter is made Symphonicall, &
  when they be most sweet and solemne. 65

How the good maker will not wrench his word to helpe his rime,
  either by falsifying his accent or his Ortographie. 67

Of concord in long and short measures, & by neare or farre
  distances, and which of them is most commendable. 68

Of proportion by situation. 69

Of proportion in figure. 75

How if all manner of suddaine innouations were not very scandalous,
  specially in the lawes of any language, the use of the Greeke
  and Latine feet might be brought into our vulgar poesie &
  with good grace inough. 85

A more particular declaration of the Metricall feete of the Greekes
  and Latines, and of your feete of two times. 91

Of the feet of three times, and what vse we may haue of them
  in our vulgar. 103

Of all the other of three times besides the Dactill. 106

Of your halfe foote in a verse & those verses which they called
  perfect and defective. 107

Of the breaking of your wordes of many sillables, & when & how
  it is to be vsed. 108

  The Table of the third booke.

Of ornament poeticall and that it resteth in figures. 114

How our writing & speeches publique ought to be figuratiue,
  and if they be not doo greatly disgrace the cause and
  purpose of the speaker and writer. 115

How ornament poeticall is of two sortes according to the
  double nature and efficacy of figures. 119

Of language and what speech our maker ought to vse. 119

Of stile, and that it is of three kindes, loftie, meane,
  and low according to the nature of the subiect. 123

Of the loftie, meane, and low subiect. 127

Of figures and figuratiue speeches. 128