New York Times Current History: The European War from the Beginning to March 1915, Vol 1, No. 2 eBook

This eBook from the Gutenberg Project consists of approximately 480 pages of information about New York Times Current History.

New York Times Current History: The European War from the Beginning to March 1915, Vol 1, No. 2 eBook

This eBook from the Gutenberg Project consists of approximately 480 pages of information about New York Times Current History.

On the 18th the cathedral was again hit on the southern flying buttresses and on the roof, killing a gendarme and several German wounded.

On Sept. 19 the cathedral was fairly riddled by bombs during the entire day, and at about 3:45 the scaffolding surrounding the north tower caught fire.  This fire lasted about one hour, and during that time two further bombs struck the roof, setting it also on fire.  The cure claims that one of these bombs must have been incendiary, otherwise it would be impossible to explain the extraordinary quickness with which the fire spread throughout the roof timbers.

The fire from the scaffolding descended until it reached the north door of the main facade, which caught rapidly, burned through and communicated to the straw with which the floor of the cathedral was covered.  This straw had been ordered on Sept. 12 by the German Commander in order to prepare the cathedral to receive 3,000 German wounded but the evacuation of the city by the Germans had prevented the cathedral being used for that purpose.

When the French came back the straw was gathered together with the intention of removing it, but on the 17th the French General ordered it to be re-spread, the flag of the Red Cross hoisted on the north tower and the German wounded placed there, in the hopes that this might save the cathedral.

As I have said, on Sept. 19 the straw caught from the fire originating in the scaffold, burning through the doors and destroying what was known as the very fine wooden tambours, or vestibules, surrounding these doors on the inside, and also calcinating the extraordinary stone sculptures decorating the entire interior of this western wall.  These sculptures were peculiar to Rheims, being in high, full relief and cut out of the mass of the stone itself instead of being applied.  This is one of the irreparable destructions occasioned.

All the wonderful glass of the nave is absolutely gone; that of the apse still exists, though greatly damaged.

Decorative Motifs Lost.

The fire on the outside calcinated the greater part of the facade, the north tower and the entire clerestory, with the flying buttresses and the turret crowning each of them.  This stone, as far as its surface is concerned, is irreparably damaged and when touched detaches itself; consequently all decorative motifs wherever the flames reached are lost.

The tresor was saved at the commencement of the fire by the priests and the tapestries for which Rheims is so greatly renowned had been fortunately removed before.  Half the stalls have been destroyed.  The organ is intact and several crucifixes and pictures in the apse are untouched.

That anything remains of the monument is owing to the strong construction of what might be called the carcass of the cathedral and, I am firmly convinced, through no desire on the part of the bombarding forces to spare this monument.  The walls and vaults are of a robustness which can resist even modern implements of destruction, for even on Sept. 24, when the bombardment was again taken up, three bombs landed on the cathedral, but the vaults resisted absolutely, not even being perforated.

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New York Times Current History: The European War from the Beginning to March 1915, Vol 1, No. 2 from Project Gutenberg. Public domain.