If the difference between one and two were determined by the distance, then the substitution of lines for knobs of the aesthesiometer ought to make no difference. And if the sensations produced by two objects fuse when near together, then the sensations produced by lines ought to fuse as easily as those produced by knobs.
In regard to the higher numbers difficulties will arise unless we take the same point of view and say that number is an inference from a sensation which is in itself a unit. It has been shown that four points across the ends of the fingers will be called four or less, and that four points, one on the end of each alternate finger and one at the base of each of the others, will be called four or more—usually more. In either case each contact is on a separate finger, and it is hardly reasonable to suppose there is no diffusion when they are in a straight row, but that when they are in irregular shape there is diffusion. It is more probable that the subject regards the sensation produced by the irregular arrangement as a novelty, and tries to separate it into parts. He finds both proximal and distal ends of his fingers concerned. He may discover that the area covered extends from his index to his little finger. He naturally infers, judging from past experience, that it would take a good many points to do that, and hence he overestimates the number. When a novel arrangement was given, such as moving some of the weights back on the wrist and scattering others over the fingers, very little idea of number could be gotten, yet they were certainly far enough apart to be felt one by one if a person could ever feel them that way, and the number was not so great as to be entirely unrecognizable.
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THE SUBJECTIVE HORIZON.
BY ROBERT MACDOUGALL.