It was but a momentary glimpse into a heart, but it was terrible.  The professor turns upon Miss Majendie in great wrath.

“That was cruel—­uncalled for!” says he, a strange feeling in his heart that he has not time to stop and analyse then.  “How could you hurt her so?  Poor child!  Poor girl!  She loved him!”

“Then let her show respect to his memory,” says Miss Majendie vindictively.  She is unmoved—­undaunted.

“She was not wanting in respect.”  His tone is hurried.  This woman with the remorseless eye is too much for the gentle professor.  “All she does want is change, amusement.  She is young.  Youth must enjoy.”

“In moderation—­and in proper ways,” says Miss Majendie stonily.  “In moderation,” she repeats mechanically, almost unconsciously.  And then suddenly her wrath gets the better of her, and she breaks out in a violent rage.  That one should dare to question her actions!  “Who are you?" demands she fiercely, “that you should presume to dictate right and wrong to me."

“I am Miss Wynter’s guardian,” says the professor, who begins to see visions—­and all the lower regions let loose at once.  Could an original Fury look more horrible than this old woman, with her grey nodding head, and blind vindictive passion.  He hears his voice faltering, and knows that he is edging towards the door.  After all, what can the bravest man do with an angry old woman, except to get away from her as quickly as possible?  And the professor, through brave enough in the usual ways, is not brave where women are concerned.

“Guardian or no guardian, I will thank you to remember you are in my house!” cries Miss Majendie, in a shrill tone that runs through the professor’s head.

“Certainly.  Certainly,” says he, confusedly, and then he slips out of the room, and having felt the door close behind him, runs tumultuously down the staircase.  For years he has not gone down any staircase so swiftly.  A vague, if unacknowledged, feeling that he is literally making his escape from a vital danger, is lending wings to his feet.  Before him lies the hall-door, and that way safety lies, safety from that old gaunt, irate figure upstairs.  He is not allowed to reach it, however—­just yet.

A door on the right side of the hall is opened cautiously; a shapely little head is as cautiously pushed through it, and two anxious red lips whisper:—­

“Mr. Curzon,” first, and then, as he turns in answer to the whisper, “Sh—­Sh!"

CHAPTER V.

    “My love is like the sea,
    As changeful and as free;
    Sometimes she’s angry, sometimes rough,
    Yet oft she’s smooth and calm enough—­
    Ay, much too calm for me.”

It is Perpetua.  A sad-eyed, a tearful-eyed Perpetua, but a lovely Perpetua for all that.

“Well?” says he.