Kenilworth eBook

This eBook from the Gutenberg Project consists of approximately 697 pages of information about Kenilworth.

Kenilworth eBook

This eBook from the Gutenberg Project consists of approximately 697 pages of information about Kenilworth.

The third apartment was called the withdrawing-room.  It was hung with the finest tapestry, representing the fall of Phaeton; for the looms of Flanders were now much occupied on classical subjects.  The principal seat of this apartment was a chair of state, raised a step or two from the floor, and large enough to contain two persons.  It was surmounted by a canopy, which, as well as the cushions, side-curtains, and the very footcloth, was composed of crimson velvet, embroidered with seed-pearl.  On the top of the canopy were two coronets, resembling those of an earl and countess.  Stools covered with velvet, and some cushions disposed in the Moorish fashion, and ornamented with Arabesque needle-work, supplied the place of chairs in this apartment, which contained musical instruments, embroidery frames, and other articles for ladies’ pastime.  Besides lesser lights, the withdrawing-room was illuminated by four tall torches of virgin wax, each of which was placed in the grasp of a statue, representing an armed Moor, who held in his left arm a round buckler of silver, highly polished, interposed betwixt his breast and the light, which was thus brilliantly reflected as from a crystal mirror.

The sleeping chamber belonging to this splendid suite of apartments was decorated in a taste less showy, but not less rich, than had been displayed in the others.  Two silver lamps, fed with perfumed oil, diffused at once a delicious odour and a trembling twilight-seeming shimmer through the quiet apartment.  It was carpeted so thick that the heaviest step could not have been heard, and the bed, richly heaped with down, was spread with an ample coverlet of silk and gold; from under which peeped forth cambric sheets and blankets as white as the lambs which yielded the fleece that made them.  The curtains were of blue velvet, lined with crimson silk, deeply festooned with gold, and embroidered with the loves of Cupid and Psyche.  On the toilet was a beautiful Venetian mirror, in a frame of silver filigree, and beside it stood a gold posset-dish to contain the night-draught.  A pair of pistols and a dagger, mounted with gold, were displayed near the head of the bed, being the arms for the night, which were presented to honoured guests, rather, it may be supposed, in the way of ceremony than from any apprehension of danger.  We must not omit to mention, what was more to the credit of the manners of the time, that in a small recess, illuminated by a taper, were disposed two hassocks of velvet and gold, corresponding with the bed furniture, before a desk of carved ebony.  This recess had formerly been the private oratory of the abbot; but the crucifix was removed, and instead there were placed on the desk, two Books of Common Prayer, richly bound, and embossed with silver.  With this enviable sleeping apartment, which was so far removed from every sound save that of the wind sighing among the oaks of the park, that Morpheus might have coveted it for his own proper repose, corresponded two wardrobes, or dressing-rooms as they are now termed, suitably furnished, and in a style of the same magnificence which we have already described.  It ought to be added, that a part of the building in the adjoining wing was occupied by the kitchen and its offices, and served to accommodate the personal attendants of the great and wealthy nobleman, for whose use these magnificent preparations had been made.

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Kenilworth from Project Gutenberg. Public domain.